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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
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City of Coffee
Is Houston about to become America's coffee capital?
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Houston's Choice for Mayor
Black Guy, Rich White Guy, Lesbian or Hispanic Republican
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Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
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BBQ Buffet
Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
-
Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
-
Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
-
Down the Rabbit Hole
Lose yourself discovering Michael Bise's work at Moody Gallery.
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National Features >
City PagesYou don't need to read Sarah Palin's book to hear the ravings of a mad woman. By Matt SnydersMiami New TimesThe rise and fall of a chubby sex-cult leader. By Natalie O'NeillRiverfront TimesTom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel. By Nicholas Phillips
Indian Jewelry: Free Gold
Published on August 26, 2008 at 2:49pm
There's something inherently oceanic about Indian Jewelry's Free Gold, the densely layered second disc from the (mostly) Houston-based collective headed by ex-Japanic/Swarm of Angels provocateur Tex Kerschen and wife Erika Thrasher. The rolling, tribal rhythms of several songs create an effect similar to being tossed to and fro at the mercy of the waves, while occasionally the momentum evaporates and the listener is (momentarily) cut adrift. "Walking on the Water," funnily enough, is a good example of the latter; its listless looping of vocals and guitar is both overheated Velvet Underground and undercooked Sonic Youth. Much stronger are "Too Much Honkytonking," a hungover lament whose loping rhythm successfully transverses a syrupy Butthole Surfers-like haze; "Hello! Africa," a slow-burning, slightly menacing coupling of late Nigerian Afrobeat deity Fela Kuti and Bauhaus's "Bela Lugosi's Dead"; and "Bird Is Broke (Won't Sing)," which steeps a much stronger Sonic Youth melody than "Walking on the Water" inside a giant amniotic sac of My Bloody Valentine. And although Indian Jewelry sounds most comfortable on undulating slices of melodic drone like opener "Swans" and the moderately gentler "Pompeii," Free Gold's most striking moment is "Everyday," which leaves Thrasher alone to face a lover's abandonment armed with only an acoustic guitar and ghostly, Lush-like melody. Here there be monsters indeed.
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