Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Dive Bars
    A handcrafted tour of the best, most obscure places to lean on a stool in Houston.
  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Johnny Flynn: A Larum

Share

  • rss

By William Michael Smith

Published on September 02, 2008 at 12:22pm

The first time I heard Englishman Johnny Flynn's amazing A Larum, I thought it sounded like Ray Davies working with the Pogues. What puts Flynn in such brilliant company as Davies, the Pogues, Richard Thompson, Billy Bragg and Mark Knopfler is his brilliant meshing of tradition and nouveau. Flynn sounds genuinely authentic, like he's some ancient beamed up from Stonehenge or Hadrian's Wall. His music often has a we've-been-screwed peasant rage that probably served Norman troops well at the Battle of Hastings in 1066. A busker as well as Shakespearean actor, the 25-year-old Flynn has visions of the alleys, cemeteries and squatter tenements peopled by the barely-getting-by. The Shane McGowan-ish, spit-in-your-eye "Leftovers" sarcastically turns Dumpster diving for scraps of food into haute cuisine with an irascible, unstoppable chorus: "Leftovers is what I want, don't need no fine cuisine, give me a dime for bacon rind or slip me some of that old sardine." "Tickle Me Pink" is another headlong dash into brilliance, with a trance-inducing repetition that hangs in your brain long after the sound fades. A few tracks have an off-kilter oddness that may limit Flynn's success in the States, but all in all this is an impressive, smart album I suspect I'll be coming back to for years to come.