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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
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City of Coffee
Is Houston about to become America's coffee capital?
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Houston's Choice for Mayor
Black Guy, Rich White Guy, Lesbian or Hispanic Republican
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Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
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BBQ Buffet
Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
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Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
-
Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
-
Burgers and Hash
Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
-
Down the Rabbit Hole
Lose yourself discovering Michael Bise's work at Moody Gallery.
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National Features >
City PagesYou don't need to read Sarah Palin's book to hear the ravings of a mad woman. By Matt SnydersMiami New TimesThe rise and fall of a chubby sex-cult leader. By Natalie O'NeillRiverfront TimesTom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel. By Nicholas Phillips
Okkervil River: The Stand Ins
Published on September 09, 2008 at 12:43pm
Okkervil River's The Stand Ins reiterates what reality shows like America's Got Talent have already made abundantly clear: We're obsessed with celebrity, or, at minimum, separating ourselves from the pack. This is evident on the jazzy "Starry Stairs," wherein a diva is driven to ruin by bloodsucking fans, and rocker "Singer Songwriter," a Wes Anderson-esque narrative about a trust-funder who can't channel any artistic talent despite all the money, connections and want in the world. Okkervil front man Will Sheff's verse doesn't exactly discredit the pursuit of fame and fortune, but it doesn't exalt the simple, obscure life, either. The songs on his Austin indie-folk-pop band's new one — nuanced by myriad strings and horns — are only marginally inferior to the ones on last year's The Stage Names, a bull's-eye of an album and prelude to Stand Ins. Up-tempo numbers like "Pop Lie" and "Lost Coastlines" (a duet with ex-Okkerviler Jonathan Meiburg, now of sister band Shearwater) kick the butts of polar opposites like "Blue Tulip" and its wimpy, deliberate vocalizing. In each capacity, though, Sheff's turning of phrases both on paper and in his delivery of wordy lyrics continues to be quite a singular talent.
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