Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The New Year

Share

  • rss

By Lance Scott Walker

Published on September 16, 2008 at 10:18am

A band taking four years between recordings is cause for both anticipation and dread, and on The New Year's The New Year, the results bring equal parts frustration and relief. Kadane brothers Matt and Bubba continue to anchor the Dallas-based band, with a supporting cast plucked from Saturnine, Macha and Codeine. This third release since former incarnation Bedhead fractured in 1998 brings little new soundwise. The guitars are still mostly clean, and the songs are still hushed, slow and full of the quiet desperation, patience and confidence in Matt Kadane's voice. The first half is big and bright and even ditches the clean guitars, but once The New Year peaks at "The Door Opens," an upbeat number that rivals Bedhead's "Extramundane," it begins a slow, watery descent (a lot of it on piano) that treads water until the closer. That payoff, "The Idea of You," brings back the group's heretofore abandoned crisscrossing guitar patterns, turns up the volume and takes The New Year full circle. Listeners just have to wait through the entire second half — kind of like the past four years.