Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • Riverfront Times

    Where's the Beef?

    Allison Burgess stakes her reputation on mystery meat.

    By Aimee Levitt

  • City Pages

    Carp Killah

    Just in time for summer, it's again safe to fish with bows and arrows in Minnesota.

    By Bradley Campbell

  • Village Voice

    The Man in Our Mirror

    A black American's eulogy to Michael Jackson.

    By Greg Tate

  • Miami New Times

    Smoking Guns

    Miami's latest vice? Black-market cigarettes.

    By Tim Elfrink

The New Year

Share

  • rss

By Lance Scott Walker

Published on September 16, 2008 at 10:18am

A band taking four years between recordings is cause for both anticipation and dread, and on The New Year's The New Year, the results bring equal parts frustration and relief. Kadane brothers Matt and Bubba continue to anchor the Dallas-based band, with a supporting cast plucked from Saturnine, Macha and Codeine. This third release since former incarnation Bedhead fractured in 1998 brings little new soundwise. The guitars are still mostly clean, and the songs are still hushed, slow and full of the quiet desperation, patience and confidence in Matt Kadane's voice. The first half is big and bright and even ditches the clean guitars, but once The New Year peaks at "The Door Opens," an upbeat number that rivals Bedhead's "Extramundane," it begins a slow, watery descent (a lot of it on piano) that treads water until the closer. That payoff, "The Idea of You," brings back the group's heretofore abandoned crisscrossing guitar patterns, turns up the volume and takes The New Year full circle. Listeners just have to wait through the entire second half — kind of like the past four years.