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Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
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Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
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Enough About Mi
Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
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BBQ Buffet
Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
-
Getting Off
Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
-
Looking for a Bull Market
Killen's Steakhouse in suburban Pearland is probably best during boom times.
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Down the Rabbit Hole
Lose yourself discovering Michael Bise's work at Moody Gallery.
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City of Coffee
Is Houston about to become America's coffee capital?
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National Features >
City PagesYou don't need to read Sarah Palin's book to hear the ravings of a mad woman. By Matt SnydersMiami New TimesThe rise and fall of a chubby sex-cult leader. By Natalie O'NeillRiverfront TimesTom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel. By Nicholas Phillips
Waylon Jennings & the .357s: Waylon Forever
Published on December 16, 2008 at 1:15pm
With his final works in the American Recordings series, Johnny Cash had some of his biggest commercial and critical success, setting the bar ridiculously high for departed country singers. On Waylon Forever, billed as the country outlaw's final record, Jennings doesn't come close to Cash — although the album does have a few great moments among its eight songs. Jennings, who died in 2002, recorded the album with his son Shooter, who rehashed favorites like "Ain't Livin' Long Like This" and Cream's "White Room" using his father's distinctive voice and his own backing band, The .357s, in a pool-house studio. A gravelly adaptation of "Jack of Diamonds" kicks things off, and the ominous ballad "Outlaw Shit," accentuated with feedback and a forlorn pedal steel, really sets the album's tone. The track's been released before, but this version is the definitive one, produced perfectly and with potent vocals. The other reason to listen is "I Found the Body," an unreleased Jennings tune with a Neil Young and Crazy Horse vibe, complete with spacey guitars and haunting lyrics. So although Waylon Forever isn't the kind of send-off that'll do much to enhance Jennings's legacy, it certainly won't do anything to tarnish it either.
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