Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Dive Bars
    A handcrafted tour of the best, most obscure places to lean on a stool in Houston.
  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
Most Popular sponsored by

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

How I Learned to Drive

Playwright Paula Vogel finds black humor in a difficult story

Share

  • rss

By Olivia Flores Alvarez

Published on January 14, 2009 at 1:45am

Paula Vogel’s Pulitzer Prize-winning play How I Learned to Driveis billed as a “coming-of-age…and a coming-to-terms story.” The show takes the form of a funny, biting educational driving film narrated by a woman named Lil Bit. Sexually abused by her uncle Peck during their driving lessons from the time she was 11 to 18, Lil Bit is facing the aftermath of the abuse, including her tangled thinking about what it means to sit behind the wheel of a car. Now an adult, Lil Bit recalls her family’s finely honed talent of remaining oblivious to unpleasant things and her own inability to reach out. While the subject matter doesn’t lend itself to laugh-out-loud punch lines, Vogel puts a sardonic spin on things and finds plenty of black humor to relieve the tension, including Peck’s sad end as Lil Bit moves on. This show isn’t intended for sensitive viewers, but those of us with a strong stomach and a sarcastic streak will enjoy it. 8 p.m. Fridays and Saturdays. Through January 31. Country Playhouse, 12802 Queensbury. For information, call 713-467-4497 or visit www.countryplayhouse.org. $12.


Fridays, Saturdays, 8 p.m. Starts: Jan. 16. Continues through Jan. 31, 2009