Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

bobrauschenbergamerica

Chuck Mee’s plays and Bob Rauschenberg’s art are pretty much the same thing

Share

  • rss

By Lee Williams

Published on February 18, 2009 at 1:42am

Imagine abstract artist Robert Rauschenberg as a playwright, and you start to get at what Charles Mee was after when he wrote bobrauschenbergamerica. Rauschenberg’s new way of seeing the world and art, and the resulting mind-blowing work of “combines,” collages and strange mixing of materials, was considered revolutionary. Mee, too, recombines and resees the world as we know it, but he does it in his plays. None of what happens onstage in bobrauschenbergamericais linear, but somehow it all makes loopy sense. Chicken jokes get told while a shooting victim dies and a girl goes by on roller-skates; a trucker is somehow involved. They all come together to capture the world as seen through the eyes of one of America’s most creative and influential minds. The show was created by New York-based SITI Company, and company member J. Ed Araiza is directing the play at the University of Houston. See the madness through the eyes of a groundbreaking genius at 2 p.m. February 22 and March 1, and 8 p.m. February 20, 21, 26, 27 and 28. 4800 Calhoun. For information, call 713-743-2929 or visit www.uh.edu. $20.


Fridays, Saturdays, 8 p.m.; Sundays, 2 p.m.; Thu., Feb. 26, 8 p.m. Starts: Feb. 20. Continues through March 1, 2009