Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

The Airborne Toxic Event

Share

  • rss

By Nicholas L. Hall

Published on March 11, 2009 at 1:46am

Everybody loves the sampler platter, right? It makes for a convivial atmosphere, a harbinger of good times to come. The Airborne Toxic Event is like that. The L.A. band leaves no 21st-century indie touchstone uncovered, and that’s not necessarily a bad thing. ATE has gotten more than a bit of grief for its tendency to sound like a hipster iPod set on shuffle, despite – and because of – its supreme listenability, but that may be a result of hype-cum-marketing that can be resolved by a slight image shift. Just think of ATE as a 2000s cover, er, “tribute” band that happens to write its own material. Despite the fact that ATE sometimes takes itself too seriously, the members are first and foremost entertainers, and on that front they deliver. (When did originality become the ultimate determiner of worthiness, any way?) In a way, ATE’s catholic cribbing is its own type of innovation. It’s pretty easy to sound like someone, but to sound like everyone at once? You gotta admit, that’s kind of impressive.
Wed., March 18, 2009