Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • BBQ Buffet
    Korea Garden Grille offers a stellar selection of barbecue items in unlimited quantities — and new and interesting ways to eat them.
  • Enough About Mi
    Is the authentic little Vietnamese noodle shop Banh Cuon Hoa #2 too adventurous for your tastes?
Most Popular sponsored by

Reader's Picks

Top Recommendations

A short list of Houston's most popular hot spots.
user content provided by: LikeMe.net & Houston Press

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Travis Tritt

Share

  • rss

By Chris Gray

Published on April 14, 2009 at 11:46am

Ever wondered what happened to '80s piano-man cheeseball Richard "Right Here Waiting" Marx? Well, he shared the 2003 Song of the Year Grammy for co-writing Luther Vandross's "Dance With My Father," and, perhaps even odder, co-wrote two songs with Travis Tritt on the Georgia-born longhaired outlaw's 2007 LP The Storm. What's more, they're actually good — bluesy and funky, but very much still country. But that's not exactly new for Tritt. He may not be the hitmaker he was back in the early '90s, when songs like "Country Club," "The Whiskey Ain't Workin'," "Help Me Hold On," barrelhouse Elvis cover "T-R-O-U-B-L-E" and the brilliant kiss-off ballad "Here's a Quarter (Call Someone Who Cares)" competed with Garth Brooks and Alan Jackson for airplay and CMA hardware, but that's only because popular tastes have changed. Tritt hasn't, and this solo acoustic show should add an extra mouthful of grit to some of the orneriest, most outspoken songs of country's "New Traditionalist" era.