Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Dive Bars
    A handcrafted tour of the best, most obscure places to lean on a stool in Houston.
  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
Most Popular sponsored by

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

“Of an Era”

The Houston Ballet focuses on living choreographers

Share

  • rss

By Julia Ramey

Published on May 27, 2009 at 2:08am

With “Of an Era,” its spring repertory program, the Houston Ballet focuses on a very important time in dance: today. The evening features three works by living choreographers, beginning with the somber Jardi Tancat, Spanish choreographer Nacho Duato’s work about farmers working desolate land, a narrative brought to life with Catalonian folk songs. The mood lightens with Christopher Wheeldon’s Carousel: A Dance, a ten-minute romantic whirlwind set to music from the Rodgers & Hammerstein musical. Dancing against the outline of a Ferris wheel, the paired dancers spin round and round in metaphorical movement. Stanton Welch’s classical work Nosotroscloses out the evening. Created specifically for the current HB company, Welch said he wanted Nosotrosto “capture their essence in dance”; you can just call it custom-made ballet. 7:30 p.m. May 28 and 30, and June 5 and 6; 2 p.m. May 31 and June 7. Wortham Theater Center, 501 Texas. For information, call 713-227-2787 or visit www.houstonballet.org. $17 to $125.
Thu., May 28, 7:30 p.m.; Sat., May 30, 7:30 p.m.; Sun., May 31, 2 p.m.; Fri., June 5, 7:30 p.m.; Sat., June 6, 7:30 p.m.; Sun., June 7, 2 p.m., 2009