Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

  • Getting Off
    Attorney Tyler Flood says he wins 80 percent of his clients' DWI trials, even if they were 100 percent drunk as a skunk.
  • City of Coffee
    Is Houston about to become America's coffee capital?
  • Houston's Choice for Mayor
    Black Guy, Rich White Guy, Lesbian or Hispanic Republican
  • Looking for a Bull Market
    Killen's Steakhouse in suburban Pearland is probably best during boom times.
  • Burgers and Hash
    Lola, a modern diner in the Heights is dishing up some top-notch Texas short-order cooking.
Most Popular sponsored by

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Z

The murder of peace activist Gregoris Lambrakis retold

Share

  • rss

By D.L. Groover

Published on August 12, 2009 at 1:41am

When Costa-Gavras's visceral, muscular political thriller Zopened in the U.S. in December 1969, Americans had been through Nixon's inauguration, rampaging radicals of the Weather Underground, gay Stonewall riots, men landing on the moon, the Charles Manson murders, Woodstock and the TV premiere of The Brady Bunch. Film audiences were ripe for this innovative, edge-of-your-seat movie adaptation of Vassilis Vassilikos's best-seller of government corruption and assassination. Basing it on the infamous murder of Greek peace activist Gregoris Lambrakis that ushered in a seven-year military dictatorship, Vassilikos wrote his highly successful fictional account in exile. Needless to say, the movie Ñ using innovative French New Wave styles in a shocking, you-are-there manner was banned in Greece, but won the Academy Award for Best Foreign Film (it had to be released through Algeria) and Best Editing. It remains one of the screen's finest achievements for in-your-gut filmmaking. You won't soon forget it. The camerawork is by Godard's ace, Raoul Coutard, and the marvelous score is by Greek national hero Mikis Theodorakis. 7 p.m. Friday and Saturday; 5 p.m. Sunday. Museum of Fine Arts, Houston, 1001 Bissonnet. For information, call 713-639-7515 or visit www.mfah.org/films. $6 to $7.
Fri., Aug. 14, 7 p.m.; Sat., Aug. 15, 7 p.m.; Sun., Aug. 16, 5 p.m., 2009