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One to Grow On

What we'd like to see happen in Houston music this year.

Noise has spent the past four columns looking backwards and frankly, our neck is a little sore. With a new year and a new decade (cue Nina Simone's "Feeling Good"), it's high time we started looking ahead.

We asked a few of our friends, probably the people in Houston who spend as much time thinking about music as we do, to answer the simple (or not-so-simple) question, "What would you like to see happen for, or to, the local music scene in 2010?" But first Noise has a few of our own.

1. PLEASE stop talking at shows. Noise is not sure how many times we're going to have to say this, but we'll wager this isn't the last time. Actually, if you have the good sense to be reading this column in the first place, you probably also have the good sense to shut the hell up when someone you just paid between 10 and 50 bucks (or even more) to see is performing. So tell your friends. You might also want to let them know that if they absolutely have to communicate at such a time, there's this nifty thing called text-messaging, and it works especially well when you've been drinking. Trust us.

2. Go ahead and move already, Walter's. We're not really sure what the holdup here is, but the sooner Walter's vacates the land of popped collars and vulture-like tow-truck drivers, the better. Especially since what we've heard about the new, larger venue sounds super-sweet, not to mention a lot easier to get to from the MetroRail.

3. A new sound system at Fitzgerald's. Ever since Los Skarnales singer Felipe Galvan took over the booking at the venerable Heights music hall a few months back, Fitz's bill of fare has improved dramatically. Unfortunately, the muddy, borderline intolerable sound quality upstairs hasn't. We're not saying this is the only place in town plagued by subpar sound — cough, Warehouse Live — but a new PA system could instantly give Houston that elusive 400-600-capacity room a lot of people around here have been hoping for.

4. A new and improved Hands Up Houston. Noise is very proud of the progress our music blog Rocks Off has made in the past year, and continues to make, but until we get some new software that allows us to incorporate forums and message boards onto the site, we still rely on Hands Up as the Inner Loop music scene's main grapevine of information and gossip. Lately, though, it seems like it's becoming a bit of an online ghost town. Noise suspects a lot of ex-Hands Uppers have gravitated to Twitter with the rest of humanity, but with almost 1,400 followers and counting — please add us at www.twitter.com/hprocksoff — our Twitter page gets a little cluttered sometimes.

5. Someone start a Houston-based ­booking agency. With quite a few local bands ready to take that step into the great wide open (see below),we really need someone who can point them in the proper direction.

That's what we came up with. Now here's what our friends around the scene had to say...

Omar Afra, editor/publisher, Free Press Houston/owner, Mango's: "How about a city ordinance that protects music venues from egregious noise complaints? Someone can't move next door to a railroad track and start complaining about the noise. Then why a music venue? Is music not as necessary for a good standard of life as a train? For me it is. Additionally, property developers who build new homes (see: stucco townhomes) near loud noises like trains, music venues or factories should be required to adequately insulate for sound. The Houston music scene is a gem that needs the protections cities like Austin offer. (Fuck Austin.)"

Quinn Bishop, owner, Cactus Music: "Howzabout more records and CDs from local acts to document our fertile local scene?"

Jim "Eggs" Bricker, Breakfast on Tour: As an avid music fan who travels to see music quite a bit, I would love to see more Houston bands on tour. Some bands have already started to do so, but if we are to make a name for our scene outside Houston city limits, our bands have to play elsewhere. That, and we need to get Mayor Annise Parker to help revive the Westheimer Street Festival in all its closed-street glory."

Jay Crossley, guitar/vocals, Woozyhelmet: "I hope the music scene works with Mayor Parker to develop win-win solutions for noise, parking and supporting the arts equitably. Our youth culture is blossoming, and how the city makes a series of decisions will largely impact the strength and benefits of the future scene. Getting this wrong will drastically impact our economic development efforts in 20 years. By treating the local music scene as an asset and venues, promoters and musicians as partners, Houston could realize its potential as a leaner, deeper music city compared to that college town with that party every March."

Andrew Dansby, entertainment columnist, Houston Chronicle: "This is such an unquantifiable thing to hope for, but I suppose the music biz is mostly voodoo anyway. If it were math, we'd all be rich (well, not me). Anyway, I'd really like to see a regional sustainability and growth for some of our great local bands outside of town. Sure, a shout-out from Rolling Stone or Pitchfork would be nifty, but also fleeting. I'd rather see some bands get some traction in Austin and Dallas and then along I-10, and then northward (I hear Birmingham is hopping). Can we create some sort of exchange program with other cities with strong grass-roots scenes like Baltimore? Baltimore, are you in? Hello, Cleveland?"

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  • Gary Packwood 01/17/2010 9:19:00 PM

    NOISE Seems like Paris, France is experiencing 'set-your-hair-on-fire' reactions from citizens to the loud noise generated by bands in venues across Paris. http://bit.ly/68HEn9 (See also the Chronicle A26) Sounds familiar. But they haven't tried to make a connection between the noise of freight trains and the noise generated by bands. Perhaps they understand that trains are part of the national strategic infrastructure and they also allow for the distribution of products to move into the market-place. Making such an argument for band noise is a bit of a stretch. :: GP

  • Gary Packwood 01/16/2010 5:11:00 PM

    As a Cleveland, Ohio transplant I agree that the Houston music scene is a gem. A gem that needs a little polish from the study of economic models that show how the music industry is constrained and enabled across the country. For example, it took many years for people in Cleveland to understand that bands need to present themselves as entrepreneurial organizations rather than a collection of individual entrepreneurs. Government funding and support always goes towards organizations and not individuals. The same would be true for individual investors and fans. Also, all big city and county governments across the nation have federal funded programs to dramatically reduce binge drinking and drug abuse. If we are promoting binge drinking and drug use it is doubtful that elected officials are going to offer any support for our bands or venues. Block parties and Summer Fest should work wonders for Houston if bands will enlist the community's support and are open and transparent about their goals for a musical CAREER as Matthew Wettergreen said. The need for diversity in our music scene is an important component of any plan as Dan Workman said and diversity is the law with respect to any funding opportunities from government or private charities. Cleveland, Ohio uses a phrase when something brings up Austin that may be helpful to use here in Houston. We aren't Austin or Columbus (near OSU); shouldn't pretend we have the education level of Austin or Columbus and we need to get past that fantasy ...quickly. Do we have any music organization in Houston that has a Federal Not-for-Profit ID - such as Project Row Houses ... so that private foundations and other donors can help fund our effort to polish our gem of an emerging community of career musicians? :: GP

 

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