Capsule Art Reviews: "California Cool," "Tony Smith: Drawings"

A A A Comments By Kelly Klaasmeyer Wednesday, Mar 9 2011

"California Cool" Peel Gallery is offering up some "California Cool" in its current show of artists and designers who channel the 20th century, blending in some hip L.A. irony. The architecture firm Marmol Radziner presents some covetable low-slung, sleek chairs that riff on modernist icons as well a re-edition of a 1942 Rudolph Schindler chair. Meanwhile, the artist and graphic designer Geoff Mc­Fetridge has some quirky paintings as well as great wallpaper designs that sort of look like something you saw in the '70s, but way cooler. Adam Silverman is the standout with his belle laide (beautiful ugly) ceramics. Reminiscent of roughly textured mid-century art pottery, his vessels push that idea to the limit. Silverman's pots look like they've had smallpox or gone through ritual scarification. Pink Large Crackle Vase is a black rounded form with pink, frankly pustule-like lumps bursting though the surface. It sounds horrible, but there is something gorgeously riveting about it, a blend of attraction and repulsion. You want to touch it, but then you're too grossed out. Who knew pottery could be so provocative? Through March 19. 4411 Montrose, 713-520-8122. — KK

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Peel Gallery Shop

4411 Montrose Blvd.
Houston, TX 77006

Category: Galleries

Region: Montrose

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The Menil Collection

1515 Sul Ross
Houston, TX 77006

Category: Galleries

Region: Montrose

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"Tony Smith: Drawings" Tony Smith's geometric steel sculptures are included in pretty much every modern art survey text — his drawings, not so much. And that's a shame, because they're pretty amazing. "Tony Smith: Drawings" is a little gem of a show curated by Bernice Rose, chief curator of the Menil Drawing Institute and Study Center, and focusing on work executed between 1953 and 1955, early in Smith's artistic career. In charcoal or colored pastel on brown paper, the drawings have abstract forms with a biomorphic vibe and sense of sculptural solidity. In a number of them, circular shapes cluster like molecules or morph and divide like microorganisms. The biggest surprise, for those familiar with the artist's monochromatic 3D work, is Smith's masterful use of vibrant color. It's a 50-year-old palette that feels surprisingly contemporary. April 3. The Menil Collection, 1515 Sul Ross, 713-525-9400. — KK

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