"[Smooth jazz] was the void that they wanted filled when 'The Wave' flipped formats [to 'Hot 95.7']," says Franklin, who began her broadcasting career in Cincinnati, Ohio, in 1993. "KTSU wanted that audience, so therefore they hired me. It was a huge audience."
Eva Pickens, director of media and public relations at Texas Southern University, told the Press that KTSU General Manager Thomas and TSU School of Communications Dean Dr. James Ward (who did not respond to our e-mails and phone calls) are in charge of KTSU employee hires and not Rudley.
Troy Fields
In February 2010, longtime Jazz Latino host Juan Flores was terminated, but was brought back a week later following public outcry. Flores, who's trying to revive his show at KPFT, says that he later left for good when KTSU management changed his shift time while he was on a vacation.
The Concerned Legends allege that Franklin's October 2008 hiring came directly from the office of TSU President John Rudley. KTSU's recently fired engineer says Rudley, who replaced Priscilla Slade following a spending scandal, likes to bully campus employees.
Details
Related Content
More About
The Concerned Legends aren't buying Pickens's claim, and summarize their feelings on the matter by quoting lyrics from Johnny Watson's landmark tune: "Ain't that a bitch? / Somebody's doing something slick / Yeah they are / Got me wonderin' / Which is which / Ain't that a bitch?"
_____________________
A week after Juan Flores's duties were terminated at KTSU, school officials, citing an unintentional scrambling of Rudley's message, allowed him to return. "They told me that the president hadn't said, 'Remove him,' he had said, 'Move him,' which didn't make any sense because initially he supposedly didn't like Latin jazz," states Flores, who says that he accepted KTSU's redo because "I'm pretty much a radio junkie."
But his second go-round was nothing like the first. He was constantly called to staff meetings, which he couldn't always make because of his full-time job with the postal service.
When Flores returned from a vacation, KTSU staff had changed his Saturday-night shift from 6 p.m. to 10 p.m. to 10 p.m. to 2 a.m. Flores's post office job conflicted with the new time slot, so he quit the station. "It was a perfect out for them," explains Flores, who Tucker says was "one of the best jocks in the station's history."
Former KTSU music director Cohen, who has relocated to Atlanta, where he's the program director at Clark Atlanta University's WCLK-FM 91.9, says he still gets calls from people complaining about KTSU management.
"A lot of the struggles were because of the people that ran the place — Charles Hudson, George Thomas," says Cohen by phone from Atlanta. "I love where I'm at now. It's real radio here. I wish KTSU was on that path. I have a lot of love for the station, but I don't know what they think they're doing."
From Cohen's point of view: "It seems that the people currently in charge are trying to eliminate the history" of the station that helped launch the career of DJs like Shelley Wade.
For the past decade, Houston native Wade has been an on-air personality for one of New York City's most listened-to Top 40 stations, WHTZ 100.3 FM, a.k.a. "Z100." She remembers KTSU as the spot where she fell in love with radio so much that she decided to make disc jockeying a lifelong gig.
"I was allowed to play anything I wanted," says Wade, who worked at KTSU from 1991 to 1992. "I always thought that was really refreshing, especially looking back, because everything is so regimented these days in commercial radio."
Wade and Tucker explain that any passionate volunteer who pined for radio time could learn everything about the business from an established personality in exchange for a cup of coffee or a Frenchy's run. Now, radio station employee Albert says that rogue student DJs often bump veteran jocks from choice drive-time shifts, even though they're essentially receiving zero training from Franklin and the staff.
The student will program the music while Franklin is in her office, Albert says. Then she comes back in time to announce the songs that have been played, he says.
About the Flores saga, Albert explains that after the Latin jazz DJ departed for the second time, KTSU listeners were pissed all over again. As a result, Franklin crumbled to public pressure and put Latin jazz back on the air. "This time," Albert says, "she got some somebody named Carlos to pose as a Hispanic to do Latin jazz."
According to the program schedule on the KTSU Web site, Carlos Anderson hosts the Muy Caliente show every Wednesday morning from 2 to 5 a.m. The Concerned Legends say that Carlos is Wayman Carlos Anderson, an African-American.
Albert says, "C'mon, now. How long you think that's going to be a secret?"
_____________________
Last year, Franklin allowed an intern to take home an armful of albums from KTSU's private library, which includes expensive and out-of-print treasures that the station's music junkies have compiled for nearly four decades, Albert said.
According to Albert, allowing records and CDs to leave the building is just about the worst thing that can happen to a radio station. He says that when the person in charge of the library confronted Franklin, she snapped at him and said that she had made an "executive decision" to let the intern take whatever he wanted.
"That blew me away. I think she heard that term somewhere and she decided that it was a good time to use it," says Albert, who was also privy to an episode in which Franklin went on and on about wanting to be a Nielsen-friendly radio station. (Nielsen ratings measure television viewers, not radio listeners.)