Big Night

A well-timed NEA grant finally brings several local blues greats to the Jones Hall stage.

As we laid out in the Houston Press cover story last year ["Old School," August 31, 2011], there's plenty of muscle and swagger in the Houston blues scene right now. While activity at clubs like the Big Easy, Dan Electro's Guitar Bar, Shakespeare's Pub and the Hideaway on Dunvale has seen an upswing in the past year or two, local blues fans will get a special treat Wednesday night when Jones Hall hosts some of Houston's living blues treasures in a first-of-its-kind performance.

Artists tapped to perform this tribute to the music of Houston's Third and Fifth Wards represent the crème de la crème of the local scene: Grady Gaines and his Texas Upsetters, Texas Johnny Brown, Milton Hopkins, Trudy Lynn, Ray Brown and a special finale by the Kashmere Reunion Stage Band. According to Society for the Performing Arts President June Christensen, the idea for the program, "Preserving a Legacy: A Tribute to Houston's Blues," has been germinating for a while.

"One of our directors, Karl Kilian from the Menil, gave me a copy of Dr. Roger Wood's book, Down in Houston, when it came out in 2003, and that book sat on my desk for years," she says. "I never filed it away, so it kept serving as a reminder because every once in a while, I'd see it and think we needed to do something with Houston blues. We just weren't sure what we should do."

Houston bluesman Texas Johnny Brown is one of the many local legends performing at SPA Houston's "Preserving a Legacy."
Jason Wolter
Houston bluesman Texas Johnny Brown is one of the many local legends performing at SPA Houston's "Preserving a Legacy."

Location Info


Jones Hall For the Performing Arts

615 Louisiana St.
Houston, TX 77002

Category: Music Venues

Region: Downtown/ Midtown


Preserving a Legacy: A Tribute to Houston's Blues

7:30 p.m. Wednesday, February 29, at Jones Hall, 615 Louisiana, Suite 100, 713-227-4772 or

Christensen found a kindred spirit in SPA Director of Development Priscilla Larson, who happened to be a friend of longtime Houston blues guitarist Milton Hopkins.

"I grew up in Houston and loved the blues," says Larson, "but until I read Dr. Wood's book, I really hadn't understood what a unique, home-grown thing we had here."

According to Christensen, SPA finally determined that the best approach was to apply for a grant and tie the entire proposal to Black History Month. She says the directors brainstormed and, a couple of years ago, applied for one of the National Endowment for the Arts' "Access to Artistic Excellence" grants. Sadly, they got shot down.

"But the NEA people were very intrigued and supportive, and they kept coming back to us from time to time with ideas for how to tweak our application," adds Christensen. "So we resubmitted last year after updating our proposal with a series of educational community-outreach events that would culminate in the Jones Hall performance, and we were awarded the grant."

The original thinking, Christensen notes, was for SPA to bring in one big-name national star like B.B. King or Keb' Mo' for drawing power — Jones Hall seats 3,000 — but the Society eventually scrapped that idea.

"We finally concluded we have world-class talent here, and that the right thing to do was to feature Houston talent only," she says. "To me, this is the beauty of NEA's mission, because it became quite clear during the planning and grant process that NEA is keenly interested in helping communities spotlight their master artists."

One such master artist is Lightnin' Hopkins's cousin Milton, who was a touring guitar-for-hire for years before returning to settle in his hometown. The effusive Larson recalls Hopkins's long residency at the Reddi Room on Washington Avenue.

"Every time I see Milton, we talk about those days," she says. "Looking back on that scene, it was so very Houston, a mixture of races and cultural strata whose common denominator was a love of this soulful, unique music that is almost like an emblem for who we are here in Houston."

Hopkins was mowing his lawn when the Press caught up with him. Usually reserved, he is ecstatic about the Jones Hall show.

"There's such a few of us in my age group left, this is just like a dream come true finally for a certain group of us," he says.

Noting that onetime Little Richard saxophonist Grady Gaines and his group the Texas Upsetters are the evening's house band, Hopkins says he will be performing a Gatemouth Brown song during his spotlight. Brown was a longtime fixture on the Houston blues scene after making his big splash at Don Robey's historic Bronze Peacock nightclub in 1947.

"Gatemouth was one of my main mentors, so it only seems right that I play one of his tunes," says the 77-year-old Hopkins. "Back in the day, you didn't really know who you were talking to — he just seemed like another guy who played real well — but you knew if he showed you something, some lick or a chord, you were getting the real word."

The one thing Hopkins laughingly bemoans about the Jones Hall program is the length of his set.

"With so much music on the bill that night, it's a shame we won't have time to stretch and do any head-cutting and get after each other a little bit, like we used to do all the time in the clubs," he says.

But Hopkins applauds SPA's educational outreach programs during February — describing them as "tremendous" — and says he hopes a lot of young people come to the show.

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Sonny Boy Terry
Sonny Boy Terry

The harmonica workshops were extremely rewarding for me. Special thanks to the Houston Blues Society for helping out with harmonicas. The Society for the Performing Arts staff was remarkably helpful and kind. I am grateful to be a part of it all and have my band perform at the opening reception. Star of Hope Mission brought in 30-40 kids for the Gregory School blues harp workshop. I'd deem having nearly 60 youths mixed with a spattering of adults packed a library for a blues harmonica workshop in Freedman's Town a huge success. I've been teaching/lecturing blues and harmonica at schools, community colleges, universities, at home and in churches for many years. This was one of the best experiences I have ever had. To have a non profit of SPA's stature to show us how it is done truly benefits all of us on the Houston blues scene. Don't miss the Jones Hall Performance. The blues community needs your support and it is sure to be a fantastic celebration.


This is great! But then again, I see almost all the musicians mentioned above at The Big Easy during any given month. And it costs $5 at the most. When talking about preserving a legacy, my hat's off first to Tom McLendon for showcasing this kind of talent, while earning rather meager compensation for it all. He's someone who lives and breathes (and plays) the genre.And has done his part for over 15 years to preserve it.

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