Top

arts

Stories

 

"Wols: Retrospective" Alfred Otto Wolfgang Schulze's art is like his personality was: nonconformist and uncompromising. Wols was a principal adopter of "Tachisme," an outgrowth of the "Art Informel" (art without form) movement. Wols's "formless art" is different from abstraction in that, even in the ruin, there is still the faint outline of an image. Wols's art was also ever-changing. Thanks to this restlessness, the German artist's catalog is a bevy of photographs, watercolors, oils and the occasional ink doodle. What a fortunate coincidence that Wols was one of Dominique de Menil's favorite artists; her expansive museum makes room for "Wols: Retrospective," an exhibition that takes up nearly the entire first floor. Starting with two big spaces, the exhibition disappears into smaller and smaller rooms. Turn right, and you come face to face with Wols's Tachisme paintings. Each of these oil-on-canvas works starts out as stains of one or two colors, with more and more color added toward the center, until in the middle, a smudged, abstract mess drips down the canvas. Careful observation reveals subtle images in the center of this pile of goo. Oiseau (Bird) is a picture of poultry; without the image of the bird, there would only be a green-stained background filled with a bevy of colors that looks like chicken (get it?) scratch. Turn left, and you enter a room filled with small- to medium-size watercolor, ink and gouache pieces. These are less polished than the oils, looking like something Wols scribbled down quickly while in art class. While the other pieces are a centripetal pull into a center of schizophrenic colors, these little works draw you in with ink markings. In a smaller adjacent room, the walls transition from white to blue. Washing the walls in baby blue encourages emotion as the viewer encounters the most personal pieces in the exhibition. The photographs in this room are of random odds and ends and of Wols himself. Self-Portrait (Wols grimacing) is a series of six photos that show Wols to be a funny, balding man with a heavy mustache and large, expressive eyes. Next to it, Untitled (Grety's Mouth) is a half-parted pair of lips, wet with either lipstick or spit. It's hard to tell which, since the photo is in black and white, and, with only a single name in the title and a monochromatic color scheme, it's difficult to discern if the subject is a man or a woman. The only tell is a crop of facial hairs sprouting from the upper lips, and even they are sparse enough to warrant confusion. These photos, however eyebrow-raising, are where the spirit of Wols truly resides. If the main rooms are where the viewer learns about Wols the artist, it is here, in this dark cove, that he or she learns about Wols the man. Through January 12. 1533 Sul Ross, 713-525-9400. — AO

« Previous Page
 |
 
1
 
2
 
3
 
All
 
My Voice Nation Help
0 comments
 
Loading...