Art Review: Musicians Who Make Art at the Art Car Museum
"Blondie As Usual: Toes, Ties & Tats"
Courtesy of Jessica DeCuir
When talking about crossover in art forms, perhaps musicians and visual artists are most successful at achieving success in each other's fields of expertise. Dancers, actors and singers can be triple-threats, but musicians and visual artists, through their manual manipulations of instruments and materials, seem naturally inclined to swing between the visual image and the sonic composition.
The Art Car Museum is proving it with its current exhibit "Musicians Who Make Art." Largely a Texas-based conglomeration of art, the show includes works by well-known musicians like Butch Hancock of the Flatlanders, whose otherworldly prints evoke sci-fi fantasy, and Joe Ely, who contributes a photo montage/collage of funny, prison-themed DIY infographics. Austin's Bob Schneider was most surprising with his outlandish and meticulously detailed etchings and aquatints (we actually like his artwork more than his music).
Ken Little and Bryan Wheeler are better known as visual artists first (who also play in bands), and their works on display are among the most visually arresting in the exhibit. Wheeler's Infinite Jest takes cues from Jasper Johns in its striking amalgamation of pop and abstract imagery, while Little's Black Jacket Moose amuses as a taxidermied moose head impressively outfitted in black leather and a selection of sporting-good footgear.
On the local end, standouts include work by local concept-rock legend Beans Barton, Two Star Symphony's Jo Bird and the Sideshow Tramps' Craig Kinsey. Our favorite was a piece that addressed the quintessential meeting of art and music: the album cover. Jessica DeCuir of San Antonio's Hyperbubble deconstructs the covers of Blondie's Parallel Lines, Men at Work's Business as Usual and the Rolling Stones' Tattoo You into a cool, abstract grid.
Through August 7. 140 Heights, 713-861-5526.
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