Art Review: Nathan Green's "Fill the Sky"

Nathan Green, Migration
Nathan Green, Migration

Art Palace is one of our favorite galleries, but we just don't get Nathan Green's current show "Fill the Sky." Some of the 25 abstract, mixed-media works score on their own, like Gradients, a conglomeration of black-and-white cylindrical forms that has a real sense of action in its composition, and Migration, a similar grouping of shapes with frenetic energy. But taken together, it feels like too much is on display.

Abstract works can veer into embarrassing, this-is-bullshit territory, and some of the stuff here unfortunately does. It should have been edited. One wall is cluttered with paintings of various sizes with no discernible method or structure in its installation. Another entire gallery wall has been painted in columns of gradient green and blue stripes with a few paintings hung to it.

It looks good, and it's a puzzling technique, but there's a messiness to it (as well as in several other works) that gives off a slapdash, kindergarten-chic vibe. It's a strange hybrid of a conceptual installation and an everything-must-go blowout sale.

Through July 2. 3913 Main, 281-501-2964.

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