University of Houston professor Sandra Friedan says theres a funny thing about East German cinema some of it is actually, well, funny. The films included in the Museum of Fine Art, Houstons Rebels with a Cause Film Festival arent all humorous, of course, but Heiner Carows 1972 The Legend of Paul and Paula certainly is. The popular Paul and Paula, about a decidedly cheerful single mother and her up-and-down love life, includes a racing sound track by the East German cult rock band the Puhdys. The bumbling antics of Carbide and Sorrel, made in 1963 by director Frank Beyer, also take a lighter look at life in the post-Nazi East Germany. Friedan says, Carbide and Sorrel is a comedy that sort of reveals problems within the bureaucracy in the Soviet bloc and sort of got away with more than it would have ordinarily because it was a comedy.
If you like this story, consider signing up for our email newsletters.
SHOW ME HOW
You have successfully signed up for your selected newsletter(s) - please keep an eye on your mailbox, we're movin' in!
And then there are the more serious films, like todays Berlin. The earliest film in the festival is 1957s Berlin Schönhauser Corner; thats about teenage problems and gangs. It was very, very popular, although the official government-type critics were very nervous about it. They didnt want to do anything to foster unrest among the teenagers, but here was [a film about] juvenile delinquents getting in trouble, says Friedan. Divided Heaven is more serious still. This is a very interesting experimental film directed by Konrad Wolf. Its about a young woman who tries to commit suicide, and while shes recuperating, shes remembering what led to that. Then there is Egon Günthers 1971 film Her Third, which, like Paul and Paula, is an excellent example of the strong roles of women in East German cinema.
Sun., Oct. 14, 5 p.m., 2007