—————————————————— The Ten Best Movie Performances by Nicolas Cage | Art Attack | Houston | Houston Press | The Leading Independent News Source in Houston, Texas

Film and TV

The Ten Best Movie Performances by Nicolas Cage

As video-on-demand continues to become the preferred route of distribution for a certain kind of independent film, much is being made of Nicolas Cage's willingness to slum for a paycheck, with recent examples including already-forgotten, small-screen-friendly items like Seeking Justice, Trespass, Stolen and The Frozen Ground. (His character names in these projects -- Will Gerard, Kyle Miller, Will Montgomery and Jack Halcombe -- are as interchangeable as the titles of the films.) Aside from citing the obvious appeal of doing work for money (a defense Cage himself brought up in a recent interview with The Guardian), it's also possible to back Cage by acknowledging the consistency with which he's taken on "serious" roles over the years.

David Gordon Green's Joe, which hits limited release this weekend (more details on that here), marks the latest instance of this trend, with Cage giving a reportedly subdued performance as an ex-con named Joe Ransom. In that spirit, we've put together a rundown of some of the actor's finest performances, all of which serve as proof that, though his over-the-top inclinations may make for a side-splitting YouTube compilation, Cage has amassed a career that few contemporary actors can equal. This list is hardly airtight in its exclusivity, so a few honorable mentions ought to go out to a pair of Cage's deliriously uneven auteur collaborations (David Lynch's Wild at Heart, Brian De Palma's Snake Eyes), 1983's Valley Girl, 1987's Moonstruck and Alex Proyas's Knowing (a favorite of the late Roger Ebert).

Rumble Fish (1983), The Cotton Club (1984), Peggy Sue Got Married (1986)

With these three Francis Ford Coppola films, Cage, a nephew of the famed Godfather director (he adopted a different last name to dodge accusations of nepotism), was given a prominent entryway into the industry, starting with supporting roles in Rumble Fish and Cotton Club and building to his bizarrely voiced Peggy Sue performance that drove co-star Kathleen Turner mad.

Raising Arizona (1987)

Cage's only collaboration with Joel and Ethan Coen has remained one of the brothers' most well-liked films, a charmingly kooky response to their dead-serious 1984 feature debut, Blood Simple. In a recent appreciation of the Coens' oeuvre, Mike D'Angelo laments the fact that Cage and the Coens haven't re-teamed in the years since: "The Coens have never made another movie with Cage, which seems criminal, given how perfectly his recklessness meshes with their control-freak exactitude."

Leaving Las Vegas (1995)

The performance that earned Cage a Best Actor Oscar, this is the closest thing on the list to an obligatory entry. However, though the self-loathing-alcoholic/well-meaning-hooker set-up is rather problematic -- Jonathan Rosenbaum aptly, if harshly, describes it as "[i]n keeping with the prevailing designer-vomit Hollywood style of glamorous despair" -- there's nothing flimsy about Cage's raw work in the film.

The Rock (1996), Con Air (1997), Face/Off (1997)

Cage's action-movie streak hit something of a peak with this miraculous run in the mid-'90s, which had the actor collaborating with genre stalwarts Michael Bay, Simon West (with producer Jerry Bruckheimer) and John Woo, respectively. Here's hoping the present-day Cage soon ditches the realm of sub-VOD actioners and returns to working with bona fide craftsmen.

Bringing Out the Dead (1999)

Director Martin Scorsese and screenwriter Paul Schrader reunited for this under-appreciated gem, which, featuring one of Cage's most demanding roles, finds the actor channeling both the New York despair of Taxi Driver's Travis Bickle (Cage's character is an ambulance paramedic) and the crazed nocturnal anxiety of After Hours's Paul Hackett.

5 more of Nicolas Cage's finest performances are on the next page.

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Danny King