Elvis Mitchell


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  • 20 years ago | Film Reviews

    John Leguizamo is lithe and full of juice -- he's like the shy boy who suddenly discovers he can dance and can't keep still. Given his need to express himself physically -- in his first one-man stage show, Spic-O-Rama, I don't think his feet ever ...

  • 20 years ago | Film Reviews

    What must those poor guys in Insane Clown Posse be thinking? After all, the sad white rap act only made a record that included profanity, and still they got drop-kicked off a panicky Disney-owned Hollywood Records, a label whose greatest catalog a...

  • 20 years ago | Film Reviews

    Make no mistake: Twin Town ain't Trainspotting, baby. Even though on its poster -- and the soundtrack -- two of its stars are posed in mid-lunge, crouching as though running from a Cannes jury aching to cram some prize down their throats ... just ...

  • 20 years ago

    Over the past year, a new generation of soul crooners -- D'Angelo, Maxwell and Tony Rich -- has revivified R&B vocals by dumping the new-jack croak that Boyz II Men still use to line their pockets with gold. These fellows are slipping into the dar...

  • 21 years ago

    The first time I saw Rudy Ray Moore doing his act live, he was laying out a heavy hand of rude, raw, scatological humor. A big man who seems somehow more dark-skinned in person than he does on-screen, where he forever lives on as the B-grade blaxp...

  • 21 years ago | Film Reviews

    Whitney Houston has had a Movie Star Moment -- just not in a movie. Near the end of the "I'm Saving All My Love for You" video, she turns toward the camera with a luminous smile that wilts into heartbreak when she's realizes she's been dropped by ...


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