Email Author J. Hoberman
Looking back on a decade dominated by the movie franchise — Lord of the Rings, Harry Potter, Star Wars and... More >>
1. The Hurt Locker: The decade's strongest Iraq movie is also the year's finest action flick, not to mention... More >>
The money is on the screen in Avatar, James Cameron's mega-3-D, mondo-CGI, more-than-a-quarter-billion-dollar baby, and, like the... More >>
The cinema, social theorist and sometime filmmaker Edgar Morin argued, is the model for our "mental commerce" with the world. Even awake and in... More >>
The most significant American artist before Andy Warhol to take "the media" as his medium, Orson Welles lives on not only in posthumously restored... More >>
The joke's on someone in Werner Herzog's awkwardly titled Bad Lieutenant: Port of Call New Orleans. Possibly Abel Ferrara who,... More >>
The anti-globalist performance guys who call themselves The Yes Men are masters of forging corporate rhetoric and media protocols. The most recent... More >>
The Road, Cormac McCarthy's Pulitzer Prize-winning, Oprah-endorsed postapocalyptic survivalist prose poem — in which a father and his... More >>
Historical cataclysm produces conspiratorial thinking: Germany's loss in World War I, the JFK assassination and 9/11 are all naturally understood... More >>
Directed by Spike Jonze from a 400-word children's picture book first published in 1963, Where the Wild Things Are may be the... More >>
Though no one's idea of an action film, Andrew Bujalski's Beeswax feels less charmingly aimless than its radically slight precursors... More >>
Set in the bucolic suburbs of early-19th-century London, as fresh and dewy as a newly mowed lawn, Jane Campion's Bright Star... More >>
Jia Zhangke is one of the world's preeminent filmmakers, an essentially contemplative director whose considerable talent is further amplified by... More >>
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment — rich... More >>
As Tetro, Francis Ford Coppola's baroque genealogical melodrama, reaches its appropriately hysterical denouement, Vincent Gallo... More >>
Lynn Shelton's Humpday, a sexual sitcom, opens with a pair of breeders in bed. A youngish married couple, Ben (mumblecordeon Mark... More >>
Any movie featuring children under ten is a movie wherein documentary bids to trump fiction and behavior can eclipse acting. The 1934 New Deal... More >>
"Heterosexuals can't understand camp because everything they do is camp," opined an associate of the old Playhouse of the Ridiculous, a New... More >>
Character is destiny — at least for Woody Allen's Whatever Works. Allen's exercise in Woody Allen nostalgia opens with a... More >>
Jim Jarmusch's anonymous antihero hitman (French-Ivorian actor Isaach De Bankolé), identified in the credits of The Limits of... More >>
Throughout his career, festival favorite Olivier Assayas has alternated between meta-pop, sometimes lurid, neo-new wave genre flicks and their... More >>
Steven Soderbergh has no particular stylistic signature, and one of the most uneven oeuvres imaginable. But he does have interests. The essence of... More >>
Not quite The Further Adventures of Cain & Abel, the second coming of Beavis & Butt-Head, King Kong vs. Godzilla Redux or... More >>
Kevin Macdonald's Washington thriller is a bellows designed to puff up the most beaten-down reporter's chest. Compressed from the highly regarded... More >>
Martin Scorsese may be presenting Matteo Garrone's Gomorrah, but this corrosive, slapdash, grimly exciting exposé... More >>
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