Michael Atkinson

Michael Atkinson is a regular film contributor at the Village Voice. His work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

Latest Stories

  • At first blush the least Romanian of the Romanian New Wavers, Radu Jude's new film is in no way a steely-eyed, ultra-realist, uninflected working-class trudge, and the cranial wounds of Eastern European Communism are yet a gleam in the...

  • 9 months ago | Film Reviews

    Completing a trifecta of recent cinema (after Masters of Sex and The Stanford Prison Experiment) suddenly fascinated with the social-science lab experiments of the Eisenhower-Nixon era, Experimenter is as cool as a grad student clamping electrodes...

  • One of our lowest-profile indie-film treasures, director Michael Almereyda never makes the same movie twice, toggling from Pixelvision experiment (1992's Another Girl, Another Planet) to downtown-hipster-horror (1994's Nadja) to...

  • Max Ophüls remains revered for his densely layered postwar sandcastles of love and irony, and as a result his international résumé through the Thirties is often overlooked -- if seen at all. This 1940 rarity, released in France...

  • 2 years ago | Film and TV

    Call it Stone Age materialism, but I still think movies are worth owning in physical forms you can hold, shelve, and collect, and therefore worth giving as gifts. Fuck the Cloud -- who knows when Hulu will get sold to Google or when Netflix decide...

  • Originally one of Canada's great formalist masters of squirrelly obsession, Atom Egoyan has lost his way since he appeared in the late '80s, hunting for relevance as his material and style have crept toward the lukewarm mainstream.

    In some...


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