Best of Houston®

Best Of 2001

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Best Of :: Arts & Entertainment

Best Self- Assessment Question

In the heat of August, they came to the Westin Galleria -- well over a thousand people enduring the heat in order to get a shot at being on the quiz show Who Wants to Be a Millionaire. Once inside, they were given a 35-question multiple-choice test and 12 minutes to finish it. Maybe a quarter of the people in the room passed; little did those savvy Houstonians know the existentialist abyss they were soon to face. Hustled off to another room, they were given a personal questionnaire: hobbies, job, etc. -- the usual. And then, staring up at them like a .44 Magnum between the eyes, the killer question of all. The question that could invoke only helplessness and inadequacy. The question that laid bare just how empty your life was. All this from one seemingly innocent query: "What would Regis find fascinating about you?" Sure, some confident, if deluded, folks easily whipped out an answer. The rest were left to stare blankly at the page, frozen by the sudden realization that their lives -- such as they were -- had not been lived up to Philbinesque standards.

Best Theater Season
Stages Repertory Theatre

Stages set the pace for the entire theatrical season with its boisterous production of Jane Martin's Anton in Show Business. After that, artistic director Rob Bundy never looked back. Some of the best productions included the strange and disturbing comedy about a group of suits from corporate America in Laura Hembree's Car Pool. The holiday season brought the requisite musical; this year Bundy produced the understated and beautifully ironic Company, by Stephen Sondheim. Old Wicked Songs, by Jon Maran, focused on anti-Semitism and the power of music to heal; it was perhaps the most moving production of the year. Ex-Oiler Bo Eason pulled in full houses for his smart if sentimental script, Runt of the Litter, about the gory guts of professional football. And of course Stages couldn't complete a season without one totally off-the-wall script, which bounced across the stage in the shape of Betty's Summer Vacation, an absolutely bizarre tale of serial killers, mommy-hatred and raincoat-clad flashers. We can only hope that next season will be as provocative.

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Best Theater Season

Stages set the pace for the entire theatrical season with its boisterous production of Jane Martin's Anton in Show Business. After that, artistic director Rob Bundy never looked back. Some of the best productions included the strange and disturbing comedy about a group of suits from corporate America in Laura Hembree's Car Pool. The holiday season brought the requisite musical; this year Bundy produced the understated and beautifully ironic Company, by Stephen Sondheim. Old Wicked Songs, by Jon Maran, focused on anti-Semitism and the power of music to heal; it was perhaps the most moving production of the year. Ex-Oiler Bo Eason pulled in full houses for his smart if sentimental script, Runt of the Litter, about the gory guts of professional football. And of course Stages couldn't complete a season without one totally off-the-wall script, which bounced across the stage in the shape of Betty's Summer Vacation, an absolutely bizarre tale of serial killers, mommy-hatred and raincoat-clad flashers. We can only hope that next season will be as provocative.

Best Ballet

Giselle is one of very few stories that is best told in the language of ballet. It's based on the legend of the Wilis, the ghosts of young maidens who were jilted by men and died before they could marry. These mysterious creatures haunt the shadowy forests at night, looking for young men whom they will dance to death in their vengeance. In last season's production of the classic, dancers of the corps de Houston Ballet hopped across the stage slowly, their faces shrouded in white tulle, their legs all aloft in perfect arabesques. They were icy and ethereal, robotic and romantic. It was enough to give you the willies.

Best Ballet

Giselle is one of very few stories that is best told in the language of ballet. It's based on the legend of the Wilis, the ghosts of young maidens who were jilted by men and died before they could marry. These mysterious creatures haunt the shadowy forests at night, looking for young men whom they will dance to death in their vengeance. In last season's production of the classic, dancers of the corps de Houston Ballet hopped across the stage slowly, their faces shrouded in white tulle, their legs all aloft in perfect arabesques. They were icy and ethereal, robotic and romantic. It was enough to give you the willies.

Best Place to Hear Live Tejano

The Tejano scene in Houston is as unpredictable as the Gulf Coast weather. One day a club is hot; the next day it's shuttered and silent. Hallabaloo's is the exception. Set in a gritty southeast neighborhood, the club has kept the Tejano fires burning in Houston for nearly ten years. Wednesday night is live Tejano night. Top acts like Bobby Pulido, Los Chamacos and Joe Lopez set couples twirling with their festive sounds. Tuck in your shirt and head inside to a world of starched jeans and heartfelt gritos emanating from under white Stetsons.

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Best Self- Assessment Question: Who Wants to Be a Millionaire auditions

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