There's a good chance that Emily Johnson's The Thank You Bar would have been just "eh" if it had taken place in a space less awesome than the DiverseWorks Theater. Same goes for Kristina Wong's Cat Lady and Catastrophic Theater's Paradise Hotel, which graced the simple yet fantastic space during the art collective's 2010-2011 season. For Johnson's performance, there was a heavy premium on sound, which was partially created, in loop format, by a live duo. Thanks to the space's acoustically conscious design, the subtle low-end whirls and high-end buzzes helped Johnson's performance art piece transcend from the really good to the super-freaking amazing.