We know, we know, not that grande dame downtown, not Big Sis; the Alley doesn't need another accolade! Oh, yes they do, especially after this past season. Most definitely, it was the best time overall in Houston theater (as long as you conveniently forget Wonderland, which went bye-bye on Broadway faster than Moose Murders). There was Martin McDonagh's mordant black comedy A Behanding in Spokane; the truly lighter-than-air rendition of J.M. Barrie's classic Peter Pan; Yasmina Reza's hilarious sitcom God of Carnage; Tracy Letts's Pulitzer Prize- and Tony-winning tale of family dysfunction August: Osage County; Peter Shaffer's hallucinogen about Mozart, Amadeus; Rajiv Joseph's world premiere Monster at the Door; and a champagne production of G.B. Shaw's sparkling Pygmalion. The entire season was produced with class and elegance to spare, acted to perfection and fulfilled theater's prime premise: Entertain us. The Alley outdid itself.