Alonzo King LINES Ballet

The San Francisco-based Alonzo King LINES Ballet makes its Houston debut with two works that epitomize King’s interest in creating movement that explores the real and the tangible, as does much of the company’s work. “The term LINES alludes to all that is visible in the phenomenal world,” King says via press materials. “There is nothing that is made or formed without line. Straight and circle encompass all that we see. Whatever can be seen is formed by line.”

The program opens with 2011’s Resin, a dance that alternates between duet and quartet work. The movement is seamless, the bodies of the dancers more liquid than solid mass, just like the trancelike Sephardic music it is set to. An exciting feature is King’s suggestion of genderless pas de deux work, as men partner men and women partner women. The real showcase becomes the human body, dressed in minimal garments, and all of its beautiful permutations.

Then there’s the 2009 Scheherazade, a reimagining of One Thousand and One Nights and the 1888 music by Nikolai Rimsky-Korsakov. The original music is an unmistakably Russian creation with digressions into Eastern motifs, but King uses a score that has been reworked by Zakir Hussain. Hussain, a master of the tabla, brings new life to Rimsky-Korsakov’s music with the addition of traditional Persian instrumentation. Both pieces place specific importance on the real and the tangible, in the vein of much of the company’s work.

8 p.m. Wortham Center’s Cullen Theater, 500 Texas. For information, call 713‑227‑4772 or visit $23 to $58.
Fri., May 9, 8 p.m., 2014

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