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Chatter
Jemina Pearl breaks free of Be Your Own Pet on Break It Up.
By Ray Cummings
Jemina Pearl is congested. She punctuates conversational pauses with coughs trailed by an apologetic "excuse me," hardly resembling the fearsome, fearless
lioness her old...
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Playbill
By Ray Cummings
59.59, the debut from England's Sian Alice Group, is a bit of a trap. When front woman Sian Ahern's lilting, beguiling voice is paired with the band's orchestrally captivating...
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Chatter
Black Leather Jesus's Richard Ramirez resurrects the Dead Audio Music Festival.
By Ray Cummings
Richard Ramirez isn't just a member of Houston's Black Leather Jesus — he is, with Jovan Hernandez, the co-founder of the not-quite-annual Dead Audio Music Festival. The...
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Rotation
By Ray Cummings
New Wave pop glimmer, meet noisy, lo-fi reverb; you'll be working together closely on Summer of Hate, the debut from San Diego's Crocodiles. Intimately, one might say —...
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Rotation
By Ray Cummings
There's a dry, tomboyish cool to Lissy Trullie's brand of
songwriting — the same quality she brings to her modeling work.
She's emotional, but neither excessively or...
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Rotation
By Ray Cummings
You either love or loathe Baltimore's Dan Deacon. You either thought the runaway yammerings-on of "Wham City," from 2007's reviewed-to-death Spiderman of the Rings, were...
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Rotation
By Ray Cummings
Did Saturday Night Live honcho Lorne Michaels save his show by annexing the comedic talents of The Lonely Island? It's probably too soon to say, but there's no question that...
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Rotation
By Ray Cummings
Single File
Foxboro Hot Tubs, "Dark Side of Night": I know, I know — big-time rock superstars get restless and bored. So between radio-friendly unit-shifters, they go on...
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Rotation Single File
By Ray Cummings
Evan Miller, "Or from a Tree Descending": Miller's electro-acoustic guitar strums out a thoughtful, or one might say inquisitive, pattern: several quick discursive paces that...
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Rotation
By Ray Cummings
Eleven years on, Pavement's penultimate long-player still sounds like the product of two inevitable, related factors: the onset of maturity and a heightened sense of...
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Music
Captured by the Game
By Ray Cummings
Every musical era yields a few contentious, controversial malcontents with enough raw talent to back up their braggadocio, baggage and bullshit; this decade has already seen a...
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Rotation Single File
By Ray Cummings
Beyoncé, "Diva": I Am...Sasha Fierce — this Independent Woman's latest multimedia event — is front-loaded with snoozy ballads one can fast-forward through...
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Rotation Single File
By Ray Cummings
50 Cent, "Get Up": "You got a Bentley coupe booty, baby / I wanna drive" — 50's a smooth ladies' man, at heart! "I have the savoir faire / I'm the reason everybody here"...
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Rotation Single File
By Ray Cummings
Fall Out Boy feat. Travis McCoy of Gym Class Heroes, "Catch Me If You Can/Proclamation of Emaciation (demo)" — More exceedingly winky corporate emo about being totally...
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Rotation Single File
By Ray Cummings
Beck, "Orphans": You know, I'm liking this tune a lot more than anything off Guero or The Information — and producer Danger Mouse might know Mr. Hansen even better than...
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Rotation Single File
By Ray Cummings
Clipse, "Fast Life" — So it's official: This hyper-articulate Virginia crack-rap duo can flow sick over non-Neptunes beats. It must be said, though, that Scott Storch's...
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Rotation Single File
By Ray Cummings
Annie, "I Know Ur Girlfriend Hates Me": This trend of text-message abbreviations invading pop — thanks, Pink and Fall Out Boy — has gotta be stopped! Otherwise,...
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Rotation
By Ray Cummings
The Breeders "Bang On" — Kim Deal would like you to know that she's lonely in the biblical sense, but wipe that smirk off your face — we don't mean it that way...
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Playbill
By Ray Cummings
There's a freewheeling, can't-stop-won't-stop joy to Thao Nguyen's brand of indie pop that makes We Brave Bee Stings and All — the Washington, D.C.er's new album, with...
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Playbill
By Ray Cummings
"I can't tell if we're running from, or coming to," muses Dead Meadow singer/guitarist Jason Simon on the folky, elegiac "Ain't Got Nothing (To Go Wrong)," his decentered voice...
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