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Playbill
By Nicholas L. Hall
As with most genre-blending acts, purveyors of melodic death metal usually lean toward one camp or the other. This tendency has odd results, frequently leaving such bands...
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Playbill
By Chris Gray
Ever wondered what happened to '80s piano-man cheeseball Richard "Right Here Waiting" Marx? Well, he shared the 2003 Song of the Year Grammy for co-writing Luther Vandross's...
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Playbill
By Reyan Ali
In Ladytron's slick sonic terrain, artificiality rules over all. While it's been almost ten years since the shadowy English quartet first began manufacturing its icy...
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Playbill
By Craig Hlavaty
The elegiac, altogether soul-shaking Mogwai has kept audiences stirred for two decades of critically lauded post-rock shimmer. "I'm Jim Morrison, I'm Dead," which opens last...
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Playbill
By Chris Gray
Compared to airbrushed, frosted-bang pretty boys like Rascal Flatts, Atlanta's Zac Brown Band looks like they came straight to Nashville from a bare-knuckled dust-up with the...
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Cafe
Georges Guy is back in a big way with La Brocante Cafe.
By Robb Walsh
The duck confit salad I had for lunch at La Brocante Cafe on Kirkwood was a plate with three items. There were lightly dressed field greens, a preserved duck leg quarter that...
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Hot Plate
Mastering the muffaletta
By Paul Galvani
When you order the muffaletta burger ($4.99) at Hubcap Grill (1111 Prairie, 713-223-5885), you get the best of both worlds. Not only do you get one of the best and juiciest...
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Stirred and Shaken
By W. Healy
I had not been to the Jet Lounge (1515 Pease, 713-659-2000) since its reinvention a short time ago. I was pleasantly surprised by the change in format. The current permutation...
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Dish
Slow food with a Jewish soul
By Paul Galvani
Shai and Ely Tsaig are brothers and fourth-generation bakers from the ancient port city of Ashkelon in southern Israel. They own Super Pita Bakery & Deli (9806 Hillcroft,...
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Film
Journalistic nostalgia meets political intrigue in a brave new world.
By J. Hoberman
Kevin Macdonald's Washington thriller is a bellows designed to puff up the most beaten-down reporter's chest. Compressed from the highly regarded BBC miniseries first telecast...
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Film
Zac Efron should stick to musicals.
By Scott Foundas
This much is for sure about the makers of the new Zac Efron picture 17 Again: They know their audience. Scientifically engineered for maximum shriek-and-squeal value among...
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Art
Discarded plywood in Brazil becomes engaging art at the Rice Gallery.
By Troy Schulze
After a gross misstep with its previous exhibition of New York-based artist Paul Villinski's useless response to Hurricane Katrina's aftermath ("Emergency Response Studio"),...
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Artbeat
By Kelly Klaasmeyer and Troy Schulze
"Get a Rope" Named after that famous retort in the picante sauce commercials, "Get a Rope" pulls together nine New York City-based artists with varying connections to Houston....
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Encore
By D.L. Groover
Little Women If only the stagehands at Country Playhouse would cease moving scenery after every scene, we could really appreciate the exceptional performance of Erin Stallings...
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Ask a Mexican
Can water shortages be blamed on Mexicans?
By Gustavo Arellano
Dear Mexican,
In an earlier column, you mentioned that conservatives can't have an argument against illegal immigration without it degenerating into a diatribe against...
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