Houston Baroque: Music of Telemann

Houston Baroque: Music of Telemann

Estates Photography


Past Event
Freewill offering

Location Info:

St. Philip Presbyterian Church
4807 San Felipe St, Houston, TX 77056
Houston, Texas  77056
[Organizer's description:] Houston Baroque's third season carries on with it's fourth installment of "Landmarks:" Music of Telemann! A Hamburg contemporary of J.S. Bach, Telemann is rarely performed in Houston. This program features sacred cantatas as well as fabulous Paris Quartets and solo organ works!

Program T.B.D.

About the Artists

Bruce Brogdon teaches English and music at Houston Community College. Bruce studied classical guitar at the University of St. Thomas and his interest in early music led him to take up the lute. He has studied privately and in master classes with Paul O’Dette, Nigel North, and Pat O’Brien. A former board member of the Lute Society of America, Bruce currently serves on the board of Guitar Houston. Bruce has performed with the University of Texas and University of Houston Collegiums, Texas Baroque Ensemble, the Green Mountain Consort, the Houston Baroque Ensemble, the Texas Early Music Project, Austin Baroque Orchestra, Aquinas, (formerly the resident ensemble of the University of St. Thomas), La Follia Austin Baroque, Mercury Baroque, and Ars Lyrica Houston. He teaches lute at the Texas Early Music Festival as well as being the accompanist for the lute song and continuo song classes.

Hailing from Albuquerque, New Mexico, flutist Alaina Diehl is currently pursuing her doctorate in performance at the University of Houston. Alaina made her Baroque debut in 2010 at the Victoria Bach Festival in Victoria, Texas, performing with the Victoria Bach Festival Baroque Orchestra. She has since performed several chamber music recitals on traverso in New Mexico (Albuquerque, Santa Fe, Madrid, Los Alamos) and at the National Flute Association annual convention in New Orleans. As an orchestral flutist, Alaina performs regularly on modern flute with the Santa Fe Pro Musica Orchestra. She has also performed on flute, piccolo, and/or alto flute with the Santa Fe Symphony, Opera Southwest Albuquerque, New Mexico Philharmonic, San Juan Symphony (Durango, CO), Festival Ballet Albuquerque, the Figueroa Project, and the 2011 New York Gilbert and Sullivan Players Pacific Coast Tour. She performed as a soloist with Santa Fe’s Canticum Novum in Cimarosa’s Concerto for two flutes. D.S. Crafts from the Albuquerque Journal described the performance as “a romp through bright Italian sunshine.” Alaina has a Bachelor of Music from Oklahoma City University, a Master of Music from the University of New Mexico, and studied at The Flute Studio of Trevor Wye in Kent, England.

Soprano Julia Fox excels in opera, concert, chamber, and new music realms, and is known for her “vibrant” performances (Gramophone) and “great sound” (Marketing for Orchestras). A graduate of Amherst College, Ms. Fox apprenticed with the Brentano String Quartet and Peabody Trio, and was a recent Stern Fellow with SongFest Los Angeles and Young Artist Fellow with Da Camera of Houston. “Fox is at her best” hailed Opera News for her portrayal of the heroine in Lewis Spratlan’s multi-media opera Architect, released through Navona Records and screened at festivals in New York, Dallas, Chicago, and Milan.
Ms. Fox has been presented locally and internationally by the Banff Centre, A Prairie Home Companion, Mercury: the orchestra redefined, Empire Opera, Foundation for Modern Music, 47 Strings, Greenbriar Consortium, enCANTA collective, Concordia University, Midland Opera Theatre, Music at St. Philip, Grace Song Inc., Texas A&M University, Imperial Arts, the Museums of Fine Arts of Houston and Dallas, Menil Collection, Rothko Chapel, Young Audiences of Houston, and Opera Leggera (www.juliafoxsoprano.com).

Bulgarian-born violinist Nadia Lesinska has garnered an exceptional career spanning continents and genres. As a specialist in baroque violin technique, Nadia performs throughout the country, and is a frequent guest with Ars Lyrica Houston, Bach Society Houston, Mercury Baroque, and Viols of Houston. She can be heard on five commercial recordings, including Handel’s Op.6 Concerti Grossi, Vivaldi’s L’Estro Armonico, and Rameau’s Les Indes Galantes with Mercury Baroque, Colonna’s Psalmi ad Vesperas with the Houston Chamber Choir, and Ars Lyrica’s GRAMMY-nominated recording of Hasse’s Marc Antonio e Cleopatra. As a modern violinist, Nadia’s credits include the Houston Grand Opera, Houston Ballet, Los Angeles Pops Orchestra, and San Juan Capistrano Symphony. An active recitalist and chamber musician, Nadia can be heard throughout the year in her own concert series and as a collaborator with many of Houston’s top musicians. In addition to classical music, Nadia is also a frequent jazz violinist and fiddler. A graduate of Chapman University, Nadia’s teachers included Paul Manaster and Todor Pelev. She received her period performance training from Oberlin’s Baroque Performance Institute and from studies with Jann Cosart, Marc Destrube, Marilyn McDonald, and Cynthia Roberts. Nadia resides in Houston with her husband, viola da gamba player Jordan Witherspoon.

Patrick Parker is a composer, organist, harpsichordist, and pianist based in Houston, Texas. Highly regarded for his interpretations of German Romantic composers, Patrick has been noted for his "excellent technique and musicality" and "strong rhythmic lines and expressive phrasing...superlative (Classical Voice of North Carolina)." Initially compelled by the music of J.S. Bach, Patrick established Houston Baroque in 2014. Now in its third season, Houston Baroque consists of a core quintet of professional period-instrument singers and instrumentalists with occasional guests. The ensemble has performed chamber vocal and instrumental music of many of the major Baroque composers in over twenty concerts throughout Texas. This dynamic young group of friends has been featured in various publications and developed non-profit status. The musicians of Houston Baroque are currently recording their debut album, My Soul Sees and Hears!, on the Raven label. The disc features arias, cantatas, and solo organ works by Buxtehude and Handel. Houston Baroque’s third season takes the group to national and international early music festivals, as well as its hometown subscription series. Patrick is also Minister of Music and Organist at Holy Comforter Episcopal Church and School. At Holy Comforter, he implemented the monthly Choral Evensong services, Choral Scholars program, concert series, a Royal School of Church Music in America-based Voice for Life children's choir, and is overseeing the installation of a new organ by Pasi Organ Builders, Inc. As a young dramatic tenor, Patrick enjoys using his voice in choral rehearsals and worship. He previously served at major churches in Houston and Cleveland, Ohio.
As a concert organist, Patrick's current projects include: a solo recording of the complete organ works of Jan Albertus van Eyken, world premieres of several compositions, and performing the complete organ works of Buxtehude, Liszt, and Messiaen. In 2015, Patrick resided in Leipzig and performed on historic organs throughout France, Germany, the Netherlands, Poland, and the United States. He holds degrees from Cleveland Institute of Music and University of North Carolina at Greensboro, and is a Doctor of Musical Arts candidate in Organ Performance in the Moores School of Music at University of Houston. He has served in various teaching roles at University of Houston, Baldwin-Wallace Conservatory, and Houston Community College. Patrick's repertoire spans six centuries and ten nations, including the complete solo organ works of Bach, Brahms, Schumann, and others. He freely moves through various eras and nations of Western art music according to which musical language speaks to him during a particular season of life. His perspective has been most influenced by his teachers--Robert Bates, Matthew Dirst, and Todd Wilson--as well as the great Messiaen interpreter, Jon Gillock.
Above all, Patrick is grateful for a life well spent in music of the highest caliber--the greatest musical thoughts which have been handed down from musician to musician over centuries, which he gets to recreate on a daily basis--music which has the power to comfort, heal, and sustain (www.patrickaaronparker.com).

Soprano Megan Stapleton “has a crystalline, ethereal voice. She sings purely and seemingly effortlessly…” (Broadwayworld.com). Megan has performed with Houston Grand Opera, Mercury – The Orchestra Redefined, Houston Baroque, Ars Lyrica, Galveston Symphony Orchestra, Bach Society Houston, Houston’s Gilbert and Sullivan Society, Ensemble Correnti, Boston Early Music Festival, Boston Metro Opera and Boston Opera Collaborative. Megan holds degrees with honors from New England Conservatory and Sam Houston State University (www.meganstapleton.com).

Gambist Jordan Witherspoon is a frequent soloist, chamber musician, and continuo player with early music ensembles in Houston and beyond. Recent engagements include Ars Lyrica, Bach Society Houston, Golden West Early Music Ensemble, Mercury Baroque, Musikanten Montana, and Viols of Houston. As an active recitalist, Jordan can be heard performing throughout the year with his wife, baroque violinist Nadia Lesinska. Originally trained as a double bassist, Jordan received his music education from Chapman University, Oberlin’s Baroque Performance Institute, and from studies with Mary Springfels and Sarah Mead. He has performed in master classes with Catharina Meints, Siegfried Pank, John Mark Rozendaal, Kenneth Slowik, and the musicians of Fretwork. Jordan performs on a 7-string Tielke-model viol by Dominik Zuchowicz and a 6-string division viol by Jacques Camurat.


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