Bob Marley at 70: Does Houston Have a Reggae Problem?
To date Bob Marley has sold an estimated 75 million albums -- an overwhelming amount of them after his death in May 1981.
Photo by Adrian Boot/Fifty-Six Hope Road Music, Ltd./UMG
[Updated Friday at 4:30 p.m. with comments from a former Houston reggae promoter who asked to remain anonymous, because "I still have hopes of continuing in the Houston reggae industry." His comments are underneath the original story.[
Today would have been the late Bob Marley's 70th birthday. A simple Facebook search yields dozens, if not hundreds, of celebrations in the reggae icon's honor across the globe, places like Austin; Brooklyn; London; Baltimore; Knoxville, Tenn.; Key West,Fla.; and even the Ukraine.
But Houston...not so much. Not only is no quasi-official birthday party scheduled, there's not even a reggae band playing in town tonight that we could find. However, fans looking for somewhere to gather and soak in Marley's one-love rastaman vibration can head to Club Riddims on West Bellfort, where CEO Fadda Owen says a DJ will be spinning Bob's tunes all night; "of course we will." Its shopping-center neighbor, the Cool Runnings Caribbean cafe, is also a likely candidate; downtown's newly opened Nightingale Room is also playing all Marley tonight. But even the leader of one of Houston's top reggae groups -- and there aren't that many to start with -- says they have an open date this evening.
"We can't find anybody," says Idiginis singer/guitarist Aauzraam Levi, meaning a gig. "If we knew of anything that was happening, of course we'd love to be a part of anything."
Levi, a native Houstonian who founded Idiginis in 2008, is looking forward to opening for Marley's backing band, the Wailers, at House of Blues on March 25. It'll be Idiginis' first real opportunity to play songs from their brand-new CD, Decisions, in front of a big crowd since the album's release. But, he sighs, it takes a major touring act like that to draw out Houston's reggae faithful.
Idiginis will open for the Wailers next month at Houston's House of Blues.
Photo courtesy of Idiginis
"There's really no avenue for reggae music here unless it's at the House of Blues with somebody big," Levi says. "We're the fourth-largest city in the country, man. We should be able to put on something monthly, but we can't find anybody.
"And all everybody wants to do is, 'Aw man, we'll pay you $200' -- I have a seven-piece band," he laughs. "You know? It bothers me that there's not more avenues for the music, because it's a beautiful music."
Marley, who was only 36 years old when he passed away from cancer in May 1981, is a music legend on par with other gone-too-soon stars like Jimi Hendrix, Janis Joplin, Kurt Cobain or Tupac Shakur, all of whose albums have also continued selling big numbers long after their deaths. But Marley is unique among them in that he not only transcended his musical genre to reach the highest level of celebrity, but embodied it. For millions of people around the world who may or may not have ever listened to a Jimmy Cliff, Peter Tosh or Burning Spear album (but probably haven't), Bob Marley is reggae, even today.
This year Universal, the label that controls Marley's music, is rolling out an extensive campaign to mark this milestone anniversary starting later this month with the release of the never-before-released CD/DVD package Bob Marley & the Wailers -- Easy Skanking In Boston, taken from two shows Marley and the band performed at Boston's Town Hall in June 1978. To date, Marley's catalog has sold an estimated 75 million copies, including 27 million of his posthumous compilation Legend alone.
Although some areas of the singer's legacy have become problematic -- numerous lawsuits between the label and band members; the splintering of the surviving Wailers into two factions, the Wailers and the Original Wailers; the fact that, frankly, Marley's audience today is overwhelmingly white -- his ongoing commercial clout seems to guarantee that future generations will continue listening to (and playing) his music for years to come, people of all creeds and colors.
To Idiginis' Levi, there's no great secret or magic formula why Marley's music continues to reach so many people approaching 35 years after his death, just the universal message at its core.
"Oh man," begins Levi. "The first time I heard it, it was like...I don't know, angels. What he spoke about was love, unity, peace, equality and justice. Right then, it caught my ear. On our CD, we have a song called 'Lupej,' which actually spells out those words.
"So with that in mind, when you come to Marley, you understand that you have a decision, and the decision is that you can choose to love, or not to love, because one of his songs says, 'Could you be loved, and be love?'," he continues. "Or vice versa, 'Could you be love, and be loved?' That's why I went to Jamaica, where he was born; to feel that love. And it's there."
Story continues on the next page.
Cassette Tape at House of Blues in March 2014
Photo by Nathan Smith
The Clear Lake-based Cassette Tape is one of the handful of other regularly gigging reggae bands in the Houston area besides Idiginis. Unlike that group, which Levi actually started as a Bob Marley cover band, Cassette Tape drummer Noe Molina says he wants his band's music to reflect the members' diverse musical backgrounds as a means to "continue to evolve the genre."
"It's doing a disservice to ourselves and fans of the genre to get stuck in a certain style or a certain sound," offers Molina. "It would be like any sort of classical element in any genre, like classic rock. I kind of consider Marley to be like classic reggae."
That said, Molina says he has nothing but respect for Marley and his legacy.
"What really connects [with] people is when somebody has a high integrity," he says. "So his personal convictions coming out of the music - I think that's what connected with people and made his art so substantial. He lived his lyrics. There was no room to doubt that what he was saying he wasn't living and he wasn't feeling."
Additionally, when Molina joined Cassette Tape, he says the other members sent him back to the Wailers' albums to learn the finer points of playing in a reggae band.
"As a drummer I had disregarded reggae as something that, like, 'Well, this is too easy,'" he admits. "Until I went back and listened to the Wailers and I recognized there's a lot going on here. There's a lot more than I had initially recognized.
"Listening to the Wailers' full-band stuff, [there were] big shoes to fill in terms of working with Cassette Tape and taking reggae seriously," adds Molina.
As for Idiginis, Levi says he is much too young to have ever seen Marley and the Wailers in person -- the band's May 1976 show at Houston's Music Hall has been widely circulated, including this full-length recording on YouTube -- the reggae icon (along with Peter Tosh) still has everything to do with where he is today.
"It's just a feel-good music," he says. "When you play it, it takes you out of body, and takes your worries away. It relieves the stress, and so as a musician, I would think, "What would be a better thing to do than come?"
Levi says Marley's continuing popularity among younger audiences gives him hope that local reggae groups like his can still catch on with Houston audiences. But that's unlikely to happen unless some people step up and start actively promoting the what shows there are, he adds.
"That's the reason why," Levi says. "There aren't any actual reggae promoters in town that will actually promote reggae music. I think that has a lot to do with it. You can't find anybody."
But gig or no gig, he vows that Idiginis will be celebrating Marley's birthday tonight come hell or high water.
"Me and the band are just going to get together and play his tunes," he says. "We're going to go to the practice shack and cover as many tunes as possible."
NOTE: A few hours after this story was posted, we received an email from a former local reggae promoter who offered his own insight into the situation. Following is an excerpt from his email:
The national touring bands sleep in a van every night and the local band gets to go home and shower. Once a band gets a bigger following they stop going to local promoters and head for places like HOB and Warehouse. A local promoter can not book a decent club at a price that will work out for everybody.
I worked with Mango's a few times, they were cool people but if you have been to a show there you know sound is inferior and it's hot as balls, not the ideal place touring bands wish to come back to. It all comes down to the people. I have posted flyers all over downtown, networked, blasted social media and all. The people just don't show up unless it's a big reggae act they already know.
Which is why Rebelution will sell out HOB but Fortunate Youth can barely break 150 attendees. It is a shame especially on Bob's B-day we don't have some special event. I would be down to host some special event, but from past experiences it just does not pan out financially. I don't even care about making money on these events, I just couldn't keep up when I lose money every event.
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