Lonesome Onry and Mean: The Disturbing Ballad of Bob Woodruff, Part 2
In 1994, Bob Woodruff was a hot Nashville property. He was New Jersey rocker who suddenly began to pour out great country songs, which lead to a deal with Asylum Records in Nashville and a well-received album, Dreams and Saturday Nights. But Woodruff eventually left Asylum without making another album. Lonesome Onry and Mean: What's your version of what happened at Asylum? We've heard several versions and are sure all these versions contain elements of fact and fiction. BW: After Dreams and Saturday Nights came out, Asylum didn't pick up my option for a second record. Instead they suggested I do more co-writing and offered me an advance and a budget to record masters for part of a new album. I agreed to do more co-writing, but I had done that development-deal thing before with the first album and felt the label at that point should either commit to a second record or let me go. I really liked the people there, but in my heart I felt that the label was changing and becoming a less suitable home for my music, so I basically walked away with no hard feelings. I then met with ex-Sony Records president Roy Wunsch and became the first signing at his new label, Imprint Records, but that's another story.
LOM: Your MySpace page says you've been writing for film. What songs have you placed in what films? Did you write specifically for a film?
BW: So far I'm fortunate to have had the song "There's Something There" placed in a romantic comedy called Her Minor Thing. I had the opportunity to write a couple songs, "What Is Heaven" and "Where the Angels Know Your Name," for Peter Jackson's next film The Lovely Bones, which is based on a novel my friend Alice Sebold wrote.
Russ: Did It My Way Tour
TicketsSat., Aug. 6, 6:00pm
World Famous Gospel Brunch at House of Blues Houston
TicketsSun., Aug. 7, 1:30pm
TicketsSun., Aug. 7, 8:00pm
The Noise Presents: Periphery - Sonic Unrest Tour
TicketsTue., Aug. 9, 6:00pm
TicketsWed., Aug. 10, 7:00pm
However, Jackson has decided to use music exclusively from the 1970s, the period in which the story takes place. I also wrote a song for Mark Pellington's last film, Henry Poole is Here. It didn't make the cut either unfortunately, but that's show biz.
A couple of these songs were already written and just happened to fit the theme of the film or mood of the scene. Others were written more specifically for the movie. I enjoy writing for films and I would welcome the opportunity to do more of it. A writing assignment can be a fun and inspiring challenge, and I find you can always bring something personal to a song even when you're writing within the parameters of a particular story or theme.
Next week we'll conclude our Bob Woodruff interview.
Get the Music Newsletter
Keep your thumb on the local music scene each week with music news, trends, artist interviews and concert listings. We'll also send you special ticket offers and music deals.