That promise is not fulfilled by their newest effort, All Roads Lead to Ausfahrt. Here, Nomeansno reverts to the mediocrity that made most of its mid-'90s work disposable. This regression is particularly evident in its attacks on such topics as capitalistic amorality ("Mondo Nihilissimo 2000") and the pressing issue of 20 years ago, conformity in punk rock ("The Hawk Killed the Punk"). More often it shows in tired, aimless negativity set to music that this band could play in its sleep ("In Her Eyes," "Ashes," "So Low" -- take your pick).
The album's more ambitious tracks -- "I See a Mansion in the Sky," "Faith" and "Heaven Is the Dust Beneath My Shoes" -- achieve a greater emotional impact, particularly "Mansion," on which John Wright tumbles and races over his drums like a demented ferret. But even these songs show gaps in Rob Wright's lyrical imagination. "Mansion" relies too much on lazy wordplay, and "Faith's" climax consists of referring to a female dog as a "bitch." Real creative. "Heaven," for its part, juxtaposes powerful choruses with three vignettes that seem to have absolutely no relation to one another. This total incongruity, oddly enough, gives "Heaven" some of the album's most memorable seconds. Seconds. (There ought to be more than just seconds of memorable music per song, don't you think?) It's an unfortunate metaphor for the record: If Nomeansno ever does deliver on the promise of No One, All Roads may be remembered just as an unexpected and distracting anomaly. If not, it will be seen as another stop on Nomeansno's road to insignificance.