—————————————————— Safety and SXSW: Was the Mohawk Tragedy a Tipping Point? | Rocks Off | Houston | Houston Press | The Leading Independent News Source in Houston, Texas

Pop Life

Safety and SXSW: Was the Mohawk Tragedy a Tipping Point?

The last morning of SXSW 2011 was not a pleasant one. Not because of any kind of personal debauchery the previous evening; that had come a few days before. Reprimands had been handed down, wrists had been slapped, and tails were hanging between a few legs, these two included. The specific infractions have long since been forgotten, but what I remember now is sitting at Starbucks downstairs at the downtown Austin Hilton Sunday morning, watching one of the SXSW directors telling a local TV station that the festival might have to take it down a few notches. So I'm not the only one, I thought.

That cup of coffee was the one single moment when SXSW finally stopped being fun for me.

That year had been out of control. Of course SXSW grew more crowded with every passing year, but not only had I never seen as many people at the festival as the throngs of people in the streets -- and everywhere around Austin, not just downtown -- they seemed to be acting rowdier than ever before. A crowd pushed over a fence trying to get into the Strokes show at Auditorium Shores, an incident that was almost repeated at Beauty Bar (Death From Above 1979) and the Scoot Inn (Odd Future).

Also at the Scoot Inn, the lead singer of Screeching Weasel punched both a female audience member and one of the club's co-owners. A camera boom collapsed at Stubb's during OMD's set; later it turned out the crew hired by the showcase's sponsor had not been authorized by SXSW. And those were just the headlines.

"No one's ever going to get the genie back inside the bottle; all that can be determined is who pours," the Austin Chronicle wrote at the time.

It was either my 15th or 16th SXSW by 2011, so I was already a little burned out by then. I was also a little bit more uncomfortable squeezing into a venue that was obviously flirting with capacity (if not over), but sometimes you can't help yourself. I had seen the sun come up waiting for a cab home from an afterparty too many times, never mind trying to find a ride home. Tried driving home plenty of times myself; sometimes that didn't work out too well either.

All those years I don't remember feeling like my life was in immediate danger, but thinking back I was probably putting my personal safety at risk more times than I'd care to think about. That morning at Starbucks, all the fun I had at SXSW over the years -- way more than any single human being should be allowed by law -- finally caught up with me. I went back the next year, despite having had a heart attack in October 2011, but barely noticed I was even there. To this day not one act I saw that year stands out enough for me to remember their name, which is why I happily haven't been back.

Story continues on the next page.

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Chris Gray has been Music Editor for the Houston Press since 2008. He is the proud father of a Beatles-loving toddler named Oliver.
Contact: Chris Gray