Subtlety isn't one of Pierce's strongest characteristics. But while his new release isn't as restrained in its beauty as Ladies and Gentlemen, Let It Come Down has a loveliness all its own. With orchestra and gospel choir in tow, Pierce puts forth religious songs that worship at no particular altar. It's a peace-and-love affair, with Pierce universally empathizing, "Come on, baby, stop your cryin'," with a sincerity and a heaviness that implies the weight of the world is on his shoulders.
It's still a druggy trip, but this time Pierce, as the title states, is coming down. And with arms stretched wide like a late-night messiah, he welcomes all into the swirling brass and strings of his blissed-out kingdom. He may declare that he "Won't Get to Heaven," but don't believe it. Let It Come Down is Pierce's atonement. He closes the album with a cover of "Lord Can You Hear Me," a piece by his former band, the Spacemen 3, and it goes so over the top, you can practically hear Pierce dragging the kitchen sink into the studio behind him. These are hymns for space rockers contemplating their return to earth.