By Michael Nesmith
Crown Archetype, 320 pp., $28
First, here’s what this book by the lanky Texas musician/entrepreneur is not: a memoir that expends many pages (relatively) on his time with the Monkees. In fact, Nesmith dispatches his entire experience in one of the most popular groups of the ’60s, both on record and on TV, in a fairly brisk manner – and there’s nothing about any opinions of or personal relationships he may have forged with Davy, Micky or Peter, then or now.
But the Houston-born Nesmith does riff – hence the title – on a wide variety of other subjects of no surprise to those familiar with his somewhat quixotic nature.
If that all sounds a bit far-flung, buckle up, dear reader. And the irony and sarcasm inherent in Nesmith’s personality – which sometimes made him enemies – are laced throughout the book. At least we get his version of the famous punching-a-hole-in-the-wall incident, in which Nesmith confronted producer Don Kirshner about increasing the Monkees' musical autonomy.
“The paradox was that in the very middle of [’60s music] innovation and invention, the Monkees were a transparent concoction, a copy carefully attached to the innovators of the time only by
Millions of Monkees fans will surely feel that Nesmith is being too harsh, as time has certainly been far kinder to the band’s canon, from the sprightly pop of “Last Train to Clarksville” and “I’m a Believer” to deeper-evolving material like “Pleasant Valley Sunday,” “The Porpoise Song” and Nesmith’s own “Circle Sky” and “Listen to the Band.”
And though at times Nesmith as an author comes off a bit professorial and smug, Infinite Tuesday is an honest tale about faith, creativity and coming together with the right groups and partners (and the wrong ones) in a life’s journey that has certainly followed a winding path — with the occasional dip into the ditch.