The lights come up on a ratty hotel room with yellowed transom, smudgy walls and broken Venetian blinds. In Kevin Rigdon's atmospheric set design, we can smell the stains. On the rumpled bed sits Carmichael (Andrew Weems), a grizzled, longhaired codger with skin the color of ash. He wears a duster like a Clint Eastwood avenger in a Sergio Leone western, but he has the determined air of a biblical prophet. Then you notice the stump of his left arm. He... More >>>