We look at the year a man fell in love with a phone and a whole lot more.
For once, Redford is just a guy trying not to die.
Sandra Bullock proves she has the right stuff.
Brady Corbit explains how a nice gut became Simon Killer.
That old black Potter magic continues to beguile in Harry Potter and the Half-Blood Prince.
Filmmakers south of the border enjoy another golden age
New Potter mines the depths of adolescent angst
Your guide to the season's hottest films (and the other ones, too)
Tomorrow's Misery Today
Despite a nonexistent marketing campaign, Cuarón's latest is not to be missed
Clint Eastwood is not done yet
A conversation with director James Longley
Children of Men and the value of an unedited shot
The MFAH screens nine important Mexican films
Sean Penn blames his problems on the president -- so what else is new?
Remembering the movies that heated up cinemas this year
The Prisoner of Azkaban takes a Sirius-ly dark turn
The brutal, brilliant City of God takes us inside Rio de Janeiro's urban decay
Reissues dominated, but an international crop of films yielded a good harvest
Filmmaking in 2002 wasn't just for the boys
Cinema 2002 counterbalanced a treacherous world
Beautiful around the edges, Great Expectations is wispy at the core