Houston Ballet debuts a rarely seen Russian classic.
A local string quartet releases its newest effort, Love and Other Demons
This string quartet finally finds a venue fit for their sound
Amy Fote and friends dance through the 20th anniversary telling of a classic Christmas tale
Julio Bocca and Ballet Argentino
Three Houston Ballet premieres make welcome additions to the repertory
Our critics weigh in on local theater
Ballet superstud Marcelo Gomes prances in for The Nutcracker
Las Nuevas Tamaleras is a corny kitchen comedy
Johnny Cash's legacy lives on
End of the affair?
Houston Ballet's Nutcracker has nothing new to say, but it's fun anyway
Choreographer Natalie Weir prefers the collaborative approach
Ben Stevenson has built Houston Ballet into one of the biggest companies in the country. So why does his job often seem in jeopardy?
A Christmas cash cow
Filmmakers return ballet, with all its metaphorical foreplay and backstage romance, to Center Stage
If Richie Hubscher couldn't be the Houston Ballet's prince in white tights, then he would be the dark angel of the Easy Credit Theater
June 10 - 16, 1999
Sometimes the hype hurts
May 27 - June 2, 1999
April 15-21, 1999
May 21 - 27, 1998
The Merry Widow proves to be more about sparkle and spectacle than dance
White Oak may be billed as a group project, but there's no question who's the star
When the dancers of the Houston Ballet learned their artistic director, Ben Stevenson, had been forced into a medical leave, they had to wonder: were there problems ahead?
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