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Subject: Burt Bacharach

  • R.I.P. Isaac Hayes: See Ya Later, Chef...

    August 11, 2008
  • Press Picks

    September 1, 1994
  • Four Lost Neil Diamond Covers

    October 14, 2008
  • Thom Bell and the Sound of Brotherly Love

    While the ubiquitous songs of Detroit's Motown get anthologized and commercialized ad infinitum, and the critics salivate over the gritty southern soul of Memphis' Stax, the third great movement/label of '60s and '70s soul has always gotten short shrift. Until now, that is, with the release of the box set Love Train: The Sound of Philadelphia (PIR/Legacy). Spearheaded by producers/songwriters (and recent Rock and Roll Hall of Fame inductees) Kenny Gamble and Leon Huff's Philadelphia Internation

    December 8, 2008
  • Rotation

    June 20, 1996
  • The Power of Pop

    September 12, 1996
  • Shiny Happy People?

    February 13, 1997
  • Heavy on the Lite

    June 12, 1997
  • Petty Woman

    June 19, 1997
  • Rotation

    September 4, 1997
  • Static

    January 1, 1998
  • Baby, It's Him

    January 8, 1998
  • Letters

    January 29, 1998
  • Rotation

    October 15, 1998
  • Best of Burt

    May 6, 1999
  • Shaggy Dog

    June 10, 1999
  • B.J. Thomas

    January 15, 2009
  • Cracker

    Sunday, April 14

    April 18, 2002
  • Phony Folksy

    Linklater tries to break out of the slacker doldrums, but misfires

    March 26, 1998
  • The Velvet Viking

    Norwegian phenom Sondre Lerche brings his precocious sunny-day pop straight outta the fjords

    May 15, 2003
  • Dionne Warwick

    April 10, 2008
  • Season's Greetings

    With summer almost over, the theater scene's heating up

    August 26, 2004
  • The Postmarks

    The Postmarks

    February 1, 2007
  • True Aim, Blue Flame

    How Elvis Costello turned his eclectic nature into career gold

    April 13, 2006
  • Playbill

    March 10, 2005
  • Capsule Reviews

    Our critics weigh in on local theater

    January 20, 2005
  • Capsule Reviews

    Our critics weigh in on local theater

    January 13, 2005
  • Keeping Promises

    Against all odds, Main Street Theater's new show manages to be likable

    January 6, 2005
  • Flat Fee

    Employee relations get sticky in Promises, Promises

    December 30, 2004
  • Playbill

    November 18, 2004
  • Candy Caine

    Jude Law's Alfie puts a pretty face on what was an ugly story

    November 4, 2004
  • Alpha

    Stargazing (Special Edition) (Nettwerk)

    April 8, 2004
  • Highway Stars

    After 15 years of ups and downs, Swell is on the rise again

    February 5, 2004
  • Bacharach Meets Isley

    Here I Am (DreamWorks)

    December 11, 2003
  • Triggerfish

    Life on Dry Land (Self-released)

    October 16, 2003
  • Dwight Yoakam

    Thursday, August 21

    August 21, 2003
  • The Power of 12

    Arthur Yoria and Matt Maloney launch a new local label with a roster of one

    May 15, 2003
  • Flush 'Em All

    2002 -- the year Houston nightlife cleaned its colon

    December 26, 2002
  • Elvis Costello

    When I Was Cruel (Island Def Jam)

    May 2, 2002
  • Bertrand Burgalat

    The Sssound of Mmmusic (Tricatel/Emperor Norton)

    January 3, 2002
  • Bowing to Pop

    A Muslim by choice, Jawad couldn't deny the will of his music

    March 1, 2001
  • Charity Case

    After the big split, HCC goes for the glamorous giving

    January 4, 2001
  • [S]hit

    Behind current blaxploitation pulp literature is - surprise! - the music biz

    March 30, 2000
  • Mousetrap

    Stuart Little's thick sugar coating is fine for kids. All others, beware.

    December 16, 1999
  • What's So Funny 'Bout Burt Bacharach?

    September 30, 1999
  • Playbill

    Ozomatli, dc Talk, The New Morty Show

    July 22, 1999
  • He's Ba-ack

    Burt Bacharach's swanky pop stylings return to hipness

    May 6, 1999
  • Rotation

    March 5, 1998
  • Lonesome Onry and Mean: Forever Changes Never Does

    Love's Forever Changes is a crucial element of the soundtrack of my coming of age. With its acoustic guitar base, smart orchestral arrangements (strings and mariachi horns), art-rock feel and poppy lyrics, it stands apart from the most of the music of the psychedelic era. The album is best known for the track "Alone Again Or," essentially the brainchild of writer Bryan MacLean, bandleader and vocalist Arthur Lee and producer Bruce Botkin. Written as "Alone Again" by former Byrds roadie MacLean,

    May 11, 2009
  • Jimmy Webb

    July 30, 2009