Subject: Christoph Eschenbach

• Hot Nuits

  HSO proves Fantastique with Berlioz works

  January 14, 1999

• La Dolce Vita

  I was young, espresso was exotic, and Dolce and Freddo was the only game in town

  May 6, 1999

• Letters 09-21-2000

  Listen to the Music, Still Fuming, Building Bonds

  September 21, 2000

• Hans, Hans, He da Man

  Hans Graf is filling some pretty big shoes

  May 10, 2001

• Press Picks

  March 24, 1994

• Press Picks

  March 2, 1995

• Press Picks

  April 13, 1995

• For Strauss Lovers Only

  April 27, 1995

• Press Picks

  March 7, 1996

• Houston Press 1996 Music Awards

  July 25, 1996

• Static

  October 10, 1996

• Press Picks

  November 28, 1996

• Shocking Salome

  January 30, 1997

• Press Picks

  February 13, 1997

• Press Picks

  July 17, 1997

• Static

  August 14, 1997

• Press Picks

  September 4, 1997

• Press Picks

  September 11, 1997

• Perfect Pitch

  December 11, 1997

• Alison Cook looks back at 1997: The Year That Bit

  January 1, 1998

• Press Picks

  February 26, 1998

• Night & Day

  March 26, 1998

• Night & Day

  May 14, 1998

• Night & Day

  May 21, 1998

• Night & Day

  August 13, 1998

• Made in the USA

  September 3, 1998

• Night & Day

  October 8, 1998

• Chorus Classic

  December 17, 1998

• Dynamic Duo

  February 18, 1999

• Searching for a Cello

  June 3, 1999

• Shiner Bach

  June 3, 1999

• Choking on the Pit?

  September 7, 2000

• Letters

  March 20, 2003

• Going Baroque

  Musicians and management of the Houston Symphony battle over a budget that won’t stay in the black

  February 20, 2003

• Lang Lang

  Saturday, January 11

  January 9, 2003

• A Beat Ahead

  OrchestraX's quick success has been its blessing, and its curse

  April 5, 2001

• Letters

  From the Balcony, Kemah Savvy?, Acting in Concert?

  September 28, 2000

• Can the Band Play On?

  The Houston Symphony opens its new season without a music director, an executive director or a clear vision for the future. Only one thing appears certain: The post-Eschenbach era is going to look a lot different.

  September 7, 2000

• Stand and Deliver

  February 3, 2000

• Night & Day

  April 30 - May 6, 1998

  April 30, 1998

• Night & Day

  April 16 - 22, 1998

  April 16, 1998

• Sounds Like a Winner!

  1996 Houston Press Music Awards

  August 8, 1996