With Houston Ballet's gorgeous Jewels, no plot is no problem.
Diamonds and rubies and emeralds, oh my!
This HB program features some of the best dance of the last 75 years
The Houston Ballet says "Giddy up, cowboy!" in a mixed repertory program
Choreographer Christopher Bruce sets a story to Hush
The Menil presents a treasure trove of portraits.
They cant take ballet away from me
Classic, Modern and Wonderful
Houston Ballet showcases four dances for boys, girls and combinations of both
Three-Course Feast from the Houston Ballet
The Houston Ballet pays homage to Iras little brother
This rep program only looks Simple
Our critics weigh in on local theater
Las Nuevas Tamaleras is a corny kitchen comedy
Houston Ballet buckles under the weight of Balanchine
Houston Ballet's Nutcracker has nothing new to say, but it's fun anyway
Ben Stevenson has built Houston Ballet into one of the biggest companies in the country. So why does his job often seem in jeopardy?
March 4 - 10, 1999
October 15 - 21, 1998
August 20 - 26, 1998
May 21 - 27, 1998
Don Quixote returns, as Rachel Beard says good-bye
The Houston Ballet ventures deep into Balanchine territory
For 20 years, prima ballerina Janie Parker's feet have been harnessed to the Houston Ballet. In one more month, she plans to set them free.
When the dancers of the Houston Ballet learned their artistic director, Ben Stevenson, had been forced into a medical leave, they had to wonder: were there problems ahead?
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