DiverseWorks makes the case for unfettered support of artists.
Katrina Moorhead puts the ice in Iceland
This exhibit is a product of Reykjavík
Francesca Fuchs paints striking portraits, drawing upon photos of her subjects
Francisco Ruiz de Infante turns the Blaffer into a postapocalyptic panic room
Foreign students at the Glassell School of Art get a stipend, studio space and three years to make it really big. They've had a huge impact on Houston's art scene. But if the INS isn't impressed, they've got to go.
What's the significance of a canister vacuum in a box? Nothing, and that's the whole point of Inman's show.
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