Brad Pitt and company roll through hell.
Frontera mines a crisis for smart, compelling drama.
Film fails to capture the scope of its hero.
(Make better biopics than César Chávez)
retelling the stories of better movies.
Stealing from the rich to...oh, whatever. Funny is the message in Tower Heist.
The odd upside of Robert Redford's terribly earnest, quite terrible war drama
A toned-down Oliver Stone finds uplift in the rubble of the twin towers
In Paul Haggis's Los Angeles, good and evil Crash into each other