60-year-old soars in Peter Pan.
With Houston Ballet's gorgeous Jewels, no plot is no problem.
This ballet is what it is, and that ain't bad
Three Houston Ballet premieres make welcome additions to the repertory
Our critics weigh in on local theater
Houston Ballet buckles under the weight of Balanchine
Houston Ballet's Nutcracker has nothing new to say, but it's fun anyway
Choreographer Natalie Weir prefers the collaborative approach
Ben Stevenson has built Houston Ballet into one of the biggest companies in the country. So why does his job often seem in jeopardy?
Filmmakers return ballet, with all its metaphorical foreplay and backstage romance, to Center Stage
October 15 - 21, 1998
Don Quixote returns, as Rachel Beard says good-bye
The Houston Ballet ventures deep into Balanchine territory
For 20 years, prima ballerina Janie Parker's feet have been harnessed to the Houston Ballet. In one more month, she plans to set them free.
The Merry Widow proves to be more about sparkle and spectacle than dance
White Oak may be billed as a group project, but there's no question who's the star
Peter Martins' Waltz Project gets its Houston debut
When the dancers of the Houston Ballet learned their artistic director, Ben Stevenson, had been forced into a medical leave, they had to wonder: were there problems ahead?