Subject:

Phillip Broomhead

  • Culture

    March 1, 2001

    This Bird Has Flown

    Houston Ballet's pricey new Firebird gets lost in time

  • Culture

    September 14, 1995

    Merry Window Dressing

    The Merry Widow proves to be more about sparkle and spectacle than dance

  • Culture

    May 30, 1996

    New Shapes

    The Merry Widow proves to be more about sparkle and spectacle than dance

  • Culture

    June 13, 1996

    Sleeping Dream

    The Merry Widow proves to be more about sparkle and spectacle than dance

  • Culture

    September 12, 1996

    Something Different

    The Houston Ballet ventures deep into Balanchine territory

  • Culture

    March 6, 1997

    Rite Fine

    The Houston Ballet ventures deep into Balanchine territory

  • Culture

    September 11, 1997

    A Partial Eclipse

    The Houston Ballet ventures deep into Balanchine territory

  • Culture

    June 15, 2000

    Homeward Bound

    (Bound)

  • Culture

    June 17, 2004

    Comedy Central

    Houston Ballet lightens up with La Fille Mal Gardée

  • Culture

    March 18, 2004

    Lone Star, Anyone?

    Stanton Welch serves up the uneven but fun Tales of Texas

  • Culture

    June 12, 2003

    By the Numbers

    Stevenson signs off with an uninspired Alice in Wonderland

  • Culture

    March 20, 2003

    Slipper Magic

    Except for the mice, this Cinderella is mighty nice

  • Culture

    March 6, 2003

    Men in Tights

    Houston Ballet buckles under the weight of Balanchine

  • Culture

    September 28, 2000

    Snow Job

    Maiden's good, just slow to warm up

  • Culture

    June 15, 2000

    Where Art Thou, Juliet?

    Dawn Scannell makes a captivating Capulet in Houston Ballet's Romeo and Juliet

  • Culture

    June 3, 1999

    Great Expectations

    Sometimes the hype hurts

  • Calendar

    June 10, 2010

    Houston Ballet: La Fille mal gardée

    Phillip Broomhead returns in a work by Sir Frederick Ashton

  • Calendar

    November 25, 2010

    The Nutcracker

    Phillip Broomhead returns in a work by Sir Frederick Ashton

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