Umbrella Man
The Big Top
April 3

Better Than: Jambalaya con carne with a side order of salty buttered grits.

Last week, after a three-week hiatus, Umbrella Man returned to their steadily more popular Thursday night residency at the Big Top. Fronted by former Los Skarnales upright bassist Nick Gaitan, the band sports a shifting line-up, on this night consisting of Geoffrey รขโ‚ฌล“Uncle Tickรขโ‚ฌย Muller on banjo and guitar, a second guitarist, accordionist Robert Rodriguez, drummer Beans Wheeler and Gaitan.

Gaitan, who also tours backing Billy Joe Shaver, turns out to have a better than serviceable baritone voice on numbers like the swamp pop anthem รขโ‚ฌล“Matilda.รขโ‚ฌย The band flips effortlessly through H-Townรขโ‚ฌโ„ขs indigenous traditional sounds; Gaitanรขโ‚ฌโ„ขs swamp pop was followed up by a Rodriguez mini-set of conjunto that took me straight to San Antonio in my mind. (One of the songs sounded like but wasnรขโ‚ฌโ„ขt Santiago Jimenez Srรขโ‚ฌโ„ขs รขโ‚ฌล“Ay te Dejo en San Antonio.รขโ‚ฌย) The band then shifted into blues mode with รขโ‚ฌล“Rock Me Baby,รขโ‚ฌย punctuated by a killer banjo solo from Muller, and then moved on to a selection of rollinรขโ‚ฌโ„ข bluegrass thunder and then to the bluesy honky-tonk of Hank Srรขโ‚ฌโ„ขs รขโ‚ฌล“Mind Your Own Business.รขโ‚ฌย

The crowd, light at first, picked up as the night wore on, and by the end of the first set, a little knot of dancers was cutting a rug stage right.

Umbrella Man are an iPod band for an iPod world, a mรƒยฉlange of everything that makes the Gulf Coast different from everywhere else.

As if to make up for their time away, Umbrella Man plays three shows this week: tonight at nine at the Continental, Thursday at the Big Top, and Friday night after Alejandro Escovedo over at the Continental. รขโ‚ฌโ€œ John Nova Lomax

The Houston Press is a nationally award-winning, 34-year-old publication ruled by endless curiosity, a certain amount of irreverence, the desire to get to the truth and to point out the absurd as well...