Credit: Photo by Jack Gorman

Tom Petty and the Heartbreakers
Cynthia Woods Mitchell Pavilion
April 29, 2017

Wary antennae of unease extended last December when Tom Petty and the Heartbreakers announced their upcoming, and now ongoing, 40th-anniversary tour. Within the well-deserved hosannas toasting Americaโ€™s most dependable, indispensable rock and roll band making yet another lap of the nation that loves them so lay the concealed, bittersweet implication that there may not be many more like it. Petty may be more aware of this than the rest of us; โ€œtake me as I come โ€™cause I canโ€™t stay long,โ€ he once sang โ€” coming up on 24 years ago now.

Certainly Petty, who is 66, seems the type of musician who will keep playing until either his fingers or his mind betrays him. Saturday night, in front of a full house at the Cynthia Woods Mitchell Pavilion, he and the Heartbreakers gave no indication whatsoever such an outcome is likely to happen anytime soon. If the six men onstage, aided immeasurably by siblings Charley and Hattie Webb on backup vocals, acted like a bunch of guys in their sixties, it was only because they showed the reflexive chemistry and easy musical intuition of people who have played thousands of shows together, and who like to joke about their drummer of nearly a quarter-century being the โ€œnew guy.โ€ (Take a bow, Steve Ferrone.)

Credit: Photo by Jack Gorman

Something like an anniversary tour canโ€™t help but bring on hope that the artist in question will use the occasion for something more than a perfunctory run through the “greatest hits.” All too often thatโ€™s exactly what fans get, to their nearly inevitable disappointment, but with the Heartbreakers it gets complicated. Petty and company are responsible for more than their fair share of true classic-rock anthems over the past couple of generations, but their catalog of near-misses, fan favorites and hidden gems is so vast they could have easily doubled Saturdayโ€™s two-hour running time and still not played everything we โ€” okay, I โ€” wanted to hear. Never let it be said rock stars have it easy.

Still, the 19-song set, played amid a breeze that felt more like it was fall creeping in and a shower that did nothing to dampen the spirits on the Pavilionโ€™s lawn, tossed out a few curveballs in lieu of any outright surprises. Opening with the first song on the bandโ€™s eponymous 1976 debut LP, โ€œRockinโ€™ Around With You,โ€ was a sweet gesture, but they didnโ€™t really lock in until โ€œMary Janeโ€™s Last Danceโ€ one song later. When everything clicks into place like that, instrument by instrument and then all at once โ€” Petty and Mike Campbellโ€™s guitars, Benmont Tenchโ€™s keyboards, Ron Blairโ€™s bass and last but not least Scott Thurstonโ€™s harmonica โ€” you know itโ€™s going to be a good night.

Elsewhere, we got โ€œForgotten Man,โ€ a Bo Diddley rewrite with a pointed pre-Trump message from 2014โ€™s Hypnotic Eye, which Petty introduced by chuckling that the band still makes new albums, too; and โ€œWalls (Circus),โ€ a track from 1996โ€™s nearly forgotten Sheโ€™s the One that contains some of Pettyโ€™s most poignant poetry and benefited from the slight increase in tempo. โ€œI Should Have Known It,โ€ the muscular blues-rocker from 2010โ€™s Mojo, has now survived into its third consecutive tour and continues making a forceful argument that the Heartbreakers are hardly mellowing with age.

Credit: Photo by Jack Gorman

Continuing on to the hits, by your fifth or sixth Heartbreakers show it starts becoming fun to guess how far into the set โ€œFree Fallinโ€™โ€ will come (seventh) or whether theyโ€™ll ever close the main set with anything besides โ€œRunninโ€™ Down a Dreamโ€ (hell no). Even here, though, the band can still pull a surprise or two out of Pettyโ€™s old Alice In Wonderland top hat, like the reappearance of 1982โ€™s โ€œYou Got Luckyโ€ or the new dimension added by the Webb Sisters, lately of the late, great Leonard Cohenโ€™s band. Their part on โ€œDonโ€™t Come Around Here No Moreโ€ alone made Pettyโ€™s long-ago assertion about there not being any girls in the Heartbreakers sound downright silly. Come back, Stevie Nicks; all is forgiven.

When all was said and done, the Pavilionโ€™s video screens would leave us with the original American girl โ€” the Statue of Liberty โ€” but first a few words about Wildflowers. While not strictly a Heartbreakers album, itโ€™s one Petty canโ€™t seem to stay away from live. Saturday, it was responsible for more than one-quarter of the set list, and some of the most magical moments โ€” not only on the wistful title track, but also โ€œItโ€™s Good to Be King,โ€ which became an extended psychedelic jam with plenty of room for Petty, Campbell and Tench to stretch out; and an abbreviated but no less heartfelt โ€œCrawling Back to Youโ€ directly afterward.

Not coincidentally, that album has its 25th anniversary coming up in two years. Perhaps thatโ€™s the Heartbreakersโ€™ next tour, or so we fans can only hope.

SET LIST
Rockinโ€™ Around With You
Mary Janeโ€™s Last Dance
You Donโ€™t Know How It Feels
Forgotten Man
You Got Lucky
I Wonโ€™t Back Down
Free Fallinโ€™
Walls (Circus)
Donโ€™t Come Around Here No More
Itโ€™s Good to Be King
Crawling Back to You
Wildflowers
Learning to Fly
Yer So Bad
I Should Have Known It
Refugee
Runninโ€™ Down a Dream

ENCORE
You Wreck Me
American Girl

Chris Gray is the former Music Editor for the Houston Press.