The Art Car Museum's group exhibition model sounds like a recipe for disaster -- put out an open call for works, and take the first 125 that you get. Oh, and give them a one-word theme. But that's the case with "Reconstruction," the annual open call show running now at the Heights space.
Predictably, the art is a mixed bag. Many of the 100-plus pieces are forgettable, largely too arts-and-craftsy for any serious consideration (a lawn ornament-type piece of a fence sculpture with the word "love" written on each board, and an artist's framed tribute to her dad, complete with beer bottle caps, come to mind). There's plenty of quirk and pop culture references -- a glass replica of Roy Lichtenstein's M-Maybe, a Che-esque Chihuahua -- though not a lot of substance.
There are a few standouts, to be sure, as you maneuver between the art cars. Baby Oh Baby by Sam VanBibber is a little piece of ingenuity -- wood and watch parts coming together to form some demented, antique-looking contraption. Shannon Duckworth's The Tree of Knowledge of Good & Evil, which features neon red, blue and yellow brains sprouting from a tree-like toxic cauliflower, is intriguing. Tusk by Hazel Ganze -- a horn made of wire -- is beautiful in its shiny simplicity. The experimental Development by Jeremy Lovelace, a messy, splattered piece with sketches of ghostly women, makes me want to see more by the artist. Karen Pawson-Smith's Corporate Calf: Read the Fine Print, a papier-mâchéd golden calf wearing sunglasses and a bowtie, is sure to be a favorite of all the camera-toting visitors. And, of course, there's the featured artist, Sherry Sullivan, whose recognition here is well-deserved. Her lush nature paintings are transportive, containing worlds within her careful, orange-outlined water imagery.
Among the more topical works, there are a few "Occupy Wall Street" references, most prominently in Allen Rice III's spirited Reconstructing Liberty, that are a good fit here. The egalitarian spirit of this show is an appropriate call for the 99 percent.
We Believe Local Journalism is Critical to the Life of a City
Engaging with our readers is essential to the mission of the Houston Press. Make a financial contribution or sign up for a newsletter, and help us keep telling Houston’s stories with no paywalls.
Support Our Journalism
"Reconstruction" runs now through March 2, 2012, at Art Car Museum, 140 Heights Boulevard. Visit www.artcarmuseum.com for more information.