| Dance |

Dance Salad 2012: Nancy Henderek Gives Us Some of the Highlights

Keep Houston Press Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Houston and help keep the future of Houston Press free.

Dance Salad director and producer Nancy Henderek travels the world searching for choreographers and dancers to bring to the performing arts festival she founded 20 years ago in Brussels and then brought to Houston. Rather than looking for undiscovered stars or courting famous companies, Henderek says she looks for people and pieces that move her. "It has to intrigue me, it has to interest me. The choreography, music, message, how it will be accepted here, all of that comes into play, of course, but mostly I look for work that excites me." Henderek says each piece has to stand on its own and also fit into the festival as a whole.

We admit it's rather like asking a mother if she has a favorite child, but we asked Henderek about festival highlights this year, and, it's no surprise, there are several. Compagnie Pál Frenák, based in Budapest and Paris, is high on the must-see list. "Absolutely no one knows Pál Frenák's work. This will be the first time they've ever been to the United States," Henderek tells Art Attack.

The company, led by Hungarian choreographer Frenák, is performing Seven, which explores the experience of being an expatriate, of redefining identity. During part of the performance, the stage is bathed in a dramatic, dark blue light and dancers move around and through huge tire tube-like forms. Frenák mixes classical and modern techniques, incorporating mime, sign language and even aerial dance to create something completely fresh. (For a sneak peek at Seven, click here.)

The wonderfully dramatic and groundbreaking Le Jeune Homme et la Mort (The Young Man and Death), about a young man driven to suicide by his unfaithful lover, is a coup for the festival. Choreographer Roland Petit's rarely seen signature work is being revived by longtime Petit assistant and dancer Luigi Bonino and performed here by English National Ballet stars Jia Zhang and Yonah Acosta (former Houston Ballet company member Carlos Acosta's nephew).

Acosta joins an impressive list of men who have performed the role of the young man in Mort, Rudolf Nureyev and Mikhail Baryshnikov among them. The work is considered a landmark in dance. Baryshnikov supposedly said the beginnings of contemporary dance began with Roland Petit's work.

"It's the oldest piece in the festival," says Henderek. "People are looking for the next big thing, but sometimes we forget that people were very creative in the past. At the time it was considered almost shocking. Even though it was created in 1946, it's still very contemporary, still very relevant.

"What was so wonderful about Petit was the drama that he infused in ballet. He took ballet from being a pretty, fluffy art form to something that was very serious. He took on social issues. It's gritty work, and it's all there onstage." Henderek says Brazil's Quasar Compania de Dança will be of special interest. "They're bringing two pieces that have never been seen in the United States and also bringing back Mulheres, or as I call it, The Red Couch Piece." Mulheres was a favorite when it was performed in the festival several years ago.

Among the other companies performing at Dance Salad are Germany's Stuttgart Ballet; principal dancers Alicia Amatriain and Jason Reilly will perform Christian Spuck's comedic spoof on ballet, Le Grand Pas de Deux, and Itzik Galili's Mona Lisa. Also from Germany is Semperoper Ballett, returning to Dance Salad with three works by choreographer William Forsythe. Italy's Spellbound Dance Company is making its debut in Houston with works by Mauro Astolfi.

Pontus Lidberg Dance Stockholm, from Sweden/New York, will present a solo by Swedish choreographer Pontus Lidberg, and members of the National Ballet of Canada, from Toronto, will perform a pas de deux by Spanish choreographer Luis Martin Oya.

Dance Salad is performed with a different program at 7:30 p.m. Thursday, Friday and Saturday, April 5 to 7. In order to see all of the companies, you must attend two nights. It's at the Wortham Center, 500 Texas. For information, visit www.dancesalad.org or call 877-772-5425. Ticket prices run from $20 to $50.

Keep the Houston Press Free... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Houston with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the Press community and help support independent local journalism in Houston.


Join the Press community and help support independent local journalism in Houston.